Sylvie
@sylvie
Sylvie
"Does this choice make me more me?"
"Does this choice feel like fear or love?"
"What would the me I want to be (genuinely, organically, from a deep soul place) do?"
"Does this choice feel like fear or love?"
"What would the me I want to be (genuinely, organically, from a deep soul place) do?"
Tuesday Thread: How Do You Know When To Quit?
Things that made me stop and think
An answer to the prompt: How do you know when to quit?
This is the kind of work we do as financial advisors. We help clients lean into the tension between money and meaning. It’s not about quick answers! It’s about living with the questions long enough to align their money with what truly matters.
The tension and paradox of money…
When you look back at the most fruitful moments of your life years from now, you’ll be surprised to discover how many of them unfolded amid a big loss or a crisis or in the face of a giant unknown.
Heather Havrilesky • Tolerating Unknowns Will Make You Stronger
The theater’s rich intellectual inheritance serves as a buffer to society’s recrudescent stupidity. Upholding this legacy seems a more vital role for a critic than operating as a tour guide of commercial entertainments. The survival of our democracy depends on the recovery of our critical thinking skills.
In the past, when I’ve made the case for cri... See more
In the past, when I’ve made the case for cri... See more
Charles McNulty • In defense of criticism: A theater critic asks what good does it do in an upside-down world
“A ship is safe in harbor, but that’s not what ships are for.”
— William G.T. Shedd
Too many businesses don’t really understand that the core of their business is making people feel good. Whether it’s walking into a store or a restaurant, or being on an airplane, most people go through life hoping that good things will happen to them, and they return to businesses that make those things happen.
Alison Beard • Life’s Work: An Interview with Ruth Reichl
What artists really need, writes Amy Whitaker in Art Thinking, “is not to be paid to make the things they already know how to make, but to somehow find space inside their financials to play and take risks to develop the next thing.”
William Deresiewicz • The Death of the Artist: How Creators Are Struggling to Survive in the Age of Billionaires and Big Tech
So, money is good, and money is necessary, and money is that thing that tells you that what you’re doing is not a fool’s errand. But the money is also an albatross, changing your relationship to the art.
R. Eric Thomas • Here for It: Or, How to Save Your Soul in America; Essays
Some artists tend to think making money is either a system you sell out to or something to be avoided altogether. But in reality, it’s neither. If you don’t make money, you won’t have any art to make. We must seek to better understand the business of being an artist. Ignoring this reality is the fastest route to stop creating altogether. To be an a
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