Sylvie
@sylvie
Sylvie
Because creativity thrives with constraints, Cerulo offered the following three-point framework for thinking about gift-giving: “Can I introduce someone to something they might not otherwise know about? Can I get them a nicer version of something than they would buy for themselves? Or can I make them feel seen?” If you can check one of those three... See more
How to become a truly excellent gift giver
What you see in the biographies of great artists, great writers, great anything is that they are good at figuring out where the vectors align. They are able to keep track of their values and be attuned to themselves, and at the same time be cold-headed about how the world works: not shaping themselves to fit the world, but figuring out how to... See more
Henrik Karlsson • 6 Lessons I Learned Working at an Art Gallery
The intersection of well-honed craft, evolving musical styles, diverse voices, and untold stories is where musical theatre storytelling is, and should be, heading.
Just a moment...
"Does this choice make me more me?"
"Does this choice feel like fear or love?"
"What would the me I want to be (genuinely, organically, from a deep soul place) do?"
"Does this choice feel like fear or love?"
"What would the me I want to be (genuinely, organically, from a deep soul place) do?"
Tuesday Thread: How Do You Know When To Quit?
Things that made me stop and think
An answer to the prompt: How do you know when to quit?
Steve Chandler writes. They don’t see ‘that leaving things unfinished is what’s causing the low levels of energy.’ (He suggests spending one day robotically completing as much unfinished business as you can: ‘Notice at the end of that day how much energy you’ve got. You’ll be amazed.’)
Oliver Burkeman • Meditations for Mortals: Four Weeks to Embrace Your Limitations and Make Time for What Counts
There are a lot of organizational structures and lived practices embedded in our bodies that we just enact by default. But through explicit facilitation practices or when we make meetings happen in a certain way, that helps change these conditioned ways of operating. In the process of learning to work this way, what really helps is, again, trust.... See more
Willa Köerner • On growing a cooperative like you’d grow a garden
“I’ll put it to you as a problem in fairness. I have made, let us say, so and so many films. That means that so and so many thousands of feet of rawstock have been expended, for which I paid the manufacturer. The processing lab was paid, by me, to develop the stuff, after it was exposed in a camera for which I paid. The lens grinders got paid. Then... See more
Do artists get paid for making art?
yes, artists can be paid for their products when there is marketing and distribution to a paying public in place. Until the artist takes responsibility for all three zones of product delivery - creation, marketing, and fulfillment to a customer - they will continue to have the same problem as Hollis.... See more
Ultimately in business there is little empathy,
Yancey Strickler • Your takes: How should art and money relate?
Be the person you want your kids to become.