Maggie Rogers Thinks Joy Can Be a Form of Rebellion

She’s modeling radical self-acceptance on the world’s largest stage, giving the audience a space to revisit their own joy or pain, once dismissed or forgotten.

She explained in an interview with The Advocate magazine, “I care only about what I can change. What can I push forward? How can I be a part of the fight for modern social issues? How can I change young people’s lives? How can I create a show and an album that is a portal to surreality, to free ourselves of all of our insecurities and to be proud o

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She also intentionally dictates how her community should engage—for example, by suggesting “themes” for different tour dates to bring the fanbase together. She both expresses herself and pulls self-expression out of her fans.

Chappell Roan is one of the most interesting new celebrities to study because she embodies so much of what the younger gener... See more

Through both the album itself and her content around it, Charli has been honest and candid about where she’s at. It’s a refreshingly honest contribution amidst a category clogged with insincerity. She’s holding the insecurity of being who she is, online, in the world, in these parties along with the rush of just being a person getting lit with her

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“Nothing is permanent,” she says. “So I’m very careful to be grateful every second that I get to be doing this at this level, because I’ve had it taken away from me before. There is one thing I’ve learned: My response to anything that happens, good or bad, is to keep making things. Keep making art.” She considers. “But I’ve also learned there’s no ... See more

This combination of the internal, intangible emotional journey and the practical skill of making music, or, as Rubin describes it, the “heartwork and headwork,” is how he’s sustained his craft across genres for so many decades. He taps into something far beyond the type of music or production style, and instead connects to the artist through a firs

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