I want the navigation to be wild and uncouth, I want a website to push me in the same way that any great artist’s work pushes me. I hate it when I land on a website and it feels like a SQL database has simply been inserted into a generic template.
Most people stop at consumption. This has always been the case, and will continue to be the case forever and ever, Amen. This makes sense, as it requires the least amount of effort. But the evolution of algorithmic and hyperpersonal content makes moving beyond consumption even more challenging. If I already enjoy the content I’m being served, why... See more
challenge all the ways we are influenced to rush our composition, to push against capitalism’s engine insisting a kind of efficient production of creative works. Instead, how can we, as writers, contest the urge to produce at real or imagined external timelines?
people still carve out community in the most hostile of places and subvert platforms to create space for human-first desires. We create solidarity infrastructure out of text chains, subvert government control through form submissions, and carve intimate sanctuaries in the comment sections and profiles of algorithmically controlled wastelands. We... See more
The world has always been a sorry and confused sort of place—yet poets and artists and scientists have ignored the factors that would, if attended to, paralyze them.
Sitting down and just thinking hard does not magically produce valuable discoveries either. The essence of the word "interaction" implies a relationship between a human and an environment. In my experience, great revelations surface from making something — filling your headspace with a problem — and then going for a synthesising daydreaming walk to... See more