Media & Culture

Perhaps this pattern of radicalisation followed by recuperation has even happened with each emergent technology – newspapers, novels, film, (pirate) radio, the Internet. Each time, the new medium has a progressive force, dehabituating people from expected relations, offering new channels for experimental activity, mediatised subcultures, and the... See more

What my students seek is what I sought: not just a place to publish, of which there remain plenty, but a place to aspire to, the kind of established, vital ecosystem within which a writer can learn, play, feud, create meaning, spark conversation, make sense of herself and her world. Rare by definition, such things grow more elusive by the day.

n this sense, Labubus do seem to be a defining moment of 2020s culture. For those interested in moving culture away from fads such as these, resistance requires much more than a refusal to consume. If fads are narratives as much as products, they need to be starved of engagement, as well. We haven't figured out how to do this yet.

In writing this history of the 21st century, Blank Space, I noticed that one important marker of our era is the cultural success of widely loathed people , such as Paris Hilton, Kanye West, and Donald Trump. They all figured out a powerful media hack for which there is no known antidote: Sociopathic behavior spurs the media to write lots of... See more

That's why we have intermediaries, and why disintermediation always leads to some degree of re-intermediation. There's a lot of explicit and implicit knowledge and specialized skill required to connect buyers and sellers, creators and audiences, and other sides of two-sided markets. Some producers can do some of this stuff for themselves, and a... See more

Better design is warranted, but it is not enough if the goal is risk reduction. Risk reduction requires socialization, education, and enough agency to build experience. Moreover, if we think that people will still get hurt, we should be creating digital patrols who are there to pick people up when they are hurt.

we define moral-emotion expression in social-media text as representational expressions of affect that reliably signal, either to others or to the self, that something is relevant to the interests or good of society, as defined by the conceptual knowledge of the expresser.

Howard Blum, a former staff writer, is the first to declare the Voice “a precursor to the internet,” an idea that recurs, with diminishing shine, throughout the book’s five hundred and thirty pages. Notes of elegy sound throughout, laments for something too good to last, but also for a moment of honest and urgent revolt. When there seemed no such... See more