Media & Culture
Using media to think deeply about complex issues
Tara McMullin and
Media & Culture
The slots that books that connected with readers once occupied are now increasingly occupied by the equivalent of the botshit that fills the first eight screens of your Google search results: book-shaped objects that have gamed their way to the top of the list.
Cory Doctorow • Pluralistic: How a billionaire’s mediocre pump-and-dump “book” became a “bestseller” (15 Feb 2024) – Pluralistic: Daily links from Cory Doctorow
I know what kind of work it takes to complete a book manuscript, and I want to do that work, but to arrive at the end of it and learn that what I should have been doing instead is flooding the zone on Twitter, Instagram, and TikTok? That is fundamentally demoralizing.
Collin Brooke • Unfluence
What my students seek is what I sought: not just a place to publish, of which there remain plenty, but a place to aspire to, the kind of established, vital ecosystem within which a writer can learn, play, feud, create meaning, spark conversation, make sense of herself and her world. Rare by definition, such things grow more elusive by the day.
Michelle Orange • How the Village Voice Met Its Moment
the stakes for preserving our relationship to things that cannot immediately be had have never felt higher. After all, yearning is a subset of authenticity––a specific type of authenticity that comes from wanting. It’s the thing that we turn to after too easily “having” causes us to lose our way. Yearning isn’t like wellness in the way Gwyneth Paltrow or Andrew Huberman would sell wellness because it often feels like unwellness, but then it also feels like healing.
Comfort, however, is not the same as healing. The frequently-invoked (pop) culture war framework conjures images of a pitched battle between ‘queer fandom’ interested in social justice and a reactionary fan identity over the soul of the culture industry. In reality what drives our culture industry is not a soul, but two basic functions of its place... See more
Varsity: “Fandom—the highest stage of capitalism?”
What’s more, art is no longer semblance. It fuses with reality.
Andy McLaverty-Robinson • Walter Benjamin: Art, Aura and Authenticity | Ceasefire Magazine
Perhaps this pattern of radicalisation followed by recuperation has even happened with each emergent technology – newspapers, novels, film, (pirate) radio, the Internet. Each time, the new medium has a progressive force, dehabituating people from expected relations, offering new channels for experimental activity, mediatised subcultures, and the... See more
Andy McLaverty-Robinson • Walter Benjamin: Art, Aura and Authenticity | Ceasefire Magazine
Howard Blum, a former staff writer, is the first to declare the Voice “a precursor to the internet,” an idea that recurs, with diminishing shine, throughout the book’s five hundred and thirty pages. Notes of elegy sound throughout, laments for something too good to last, but also for a moment of honest and urgent revolt. When there seemed no such... See more
Michelle Orange • How the Village Voice Met Its Moment
