Media & Culture

In any case, it’s enough to make anyone feel crazy. Over the last decade we’ve watched — and while I’m talking about the tech industry, I think we can all say it’s been everywhere else too — the things we love get distanced from us so that somebody else can get unbelievably rich, the things we used to do easily made more difficult, confusing and/or... See more

Howard Blum, a former staff writer, is the first to declare the Voice “a precursor to the internet,” an idea that recurs, with diminishing shine, throughout the book’s five hundred and thirty pages. Notes of elegy sound throughout, laments for something too good to last, but also for a moment of honest and urgent revolt. When there seemed no such... See more

In the digital age, cultural artifacts are eroded by abundance. Timelines layer and compress artwork, images, and artifacts into corners of the internet. In my corner, I stumbled across a speech entitled “Perfume, Defense and David Bowie’s Wedding” delivered by Brian Eno in 1992 at the Sadler Wells Theatre in London. In it, Eno predicted the... See more

Complicated Culture

Daisy Alioto with W. David Marx.

dirt.fyi

why is a restaurant reservation a high status thing? It's because it is in a specific place. It is finite in supply. A lot of times you have to be somewhat connected to get it. It is the opposite of the Internet.

—

I simply think we can't keep sleepwalking into hoping the (poptimist) world

... See more

Inherent in the concept of moral contagion, then, is the idea that moral-emotion expressions are among the most powerful signals to the self and others about one’s identity. As such, they may be among the most functionally relevant forms of expressions in the context of moral and political discourse online, where moral and political identities are... See more

The stasis debate is actually just about two specific topics: (1) whether 21st century culture offers the feeling of artistic progress, where new styles/practices devalue previous ones, thereby creating clear chapters in the historical timeline, and (2) whether there are new techniques in symbolic activity that expand how we perceive the world and... See more

But the curation was never about financial reward. It was “there's a small unscalable business here about taste, that people rely on and really like, and everyone who works on it doesn't make very much money, but they're very cool.” We just don't live in a world where that's an acceptable way to live. There's a lot of economic pressures and again,... See more