Media & Culture
Using media to think deeply about complex issues
Tara McMullin and
Media & Culture
Although repetition is necessary, practice isn’t just repetition. When we practice, we do two things: we isolate a technique for study, and we engage with difficulty.
Why Write in Form? by Rebecca Hazelton | Poetry Foundation
Complicated Culture
Daisy Alioto with W. David Marx.
dirt.fyi
why is a restaurant reservation a high status thing? It's because it is in a specific place. It is finite in supply. A lot of times you have to be somewhat connected to get it. It is the opposite of the Internet.
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I simply think we can't keep sleepwalking into hoping the (poptimist) world
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the stakes for preserving our relationship to things that cannot immediately be had have never felt higher. After all, yearning is a subset of authenticity––a specific type of authenticity that comes from wanting. It’s the thing that we turn to after too easily “having” causes us to lose our way. Yearning isn’t like wellness in the way Gwyneth Paltrow or Andrew Huberman would sell wellness because it often feels like unwellness, but then it also feels like healing.
‘Fandom Has Toxified the World’: Watchmen Author Alan Moore on Superheroes, Comicsgate and Trump
Alan Mooretheguardian.comSuccessful platforms do not just discover what consumers want — they produce the consumers and the forms of consumer desire that they need.
Rogers Brubaker • Hyperconnected Culture and Its Discontents
The aspect ratio of our lives has changed. By narrowing our field of view, cutting off our peripheral vision, the phone doesn’t just remove us from space and provoke a sense of claustrophobia. It isolates us.
Nicholas Carr • Out of the Landscape, into the Portrait
“Toward a phenomenology of the phone”
The companies promoting generative-A.I. programs claim that they will unleash creativity. In essence, they are saying that art can be all inspiration and no perspiration—but these things cannot be easily separated. I’m not saying that art has to involve tedium. What I’m saying is that art requires making choices at every scale; the countless... See more
Comfort, however, is not the same as healing. The frequently-invoked (pop) culture war framework conjures images of a pitched battle between ‘queer fandom’ interested in social justice and a reactionary fan identity over the soul of the culture industry. In reality what drives our culture industry is not a soul, but two basic functions of its place... See more
Varsity: “Fandom—the highest stage of capitalism?”