There are four sort of low-level generational discourses circulating the web right now that I want to try and synthesize into a larger idea. There’s the weird backlash around the word “demure” going viral after a trans TikToker popularized it. There are millennials panicking that Gen Z thinks we all... See more
The aspect ratio of our lives has changed. By narrowing our field of view, cutting off our peripheral vision, the phone doesn’t just remove us from space and provoke a sense of claustrophobia. It isolates us.
Your Spotify Wrapped for 2024 is the weight of all these things, whether we want to deal with it or not. AI-powered podcasts are the result of expunging the lives of the real humans who built these ideas, replacing them with a facsimile of human connection. Your data feeds into Google, and it builds you the idea of a friend in return. Artists will... See more
I think the defining economic reality of the modern platform media world is that all the platforms realized that an infinite supply of teenage creators are cheaper to deal with than media companies or groups of media individuals or powerful creators. And I’m curious for your read on the number of YouTubers that you see retiring or taking a step... See more
The problem, in other words, isn't intermediation – it's power . The thing that distinguishes a useful intermediary from an enshittified bully is power . Intermediaries gain power when our governments stop enforcing competition law. This lets intermediaries buy each other up and corner markets. Once they've formed cozy cartels, they can capture... See more
I believe that fandom is a wonderful and vital organ of contemporary culture, without which that culture ultimately stagnates, atrophies and dies. At the same time, I’m sure that fandom is sometimes a grotesque blight that poisons the society surrounding it with its mean-spirited obsessions and ridiculous, unearned sense of entitlement.
Research as a way of life is having the ability and the time to question the world around you and add to its understanding. It’s defined by our access and ability to contribute to production of knowledge and evaluate the information around us.
n this sense, Labubus do seem to be a defining moment of 2020s culture. For those interested in moving culture away from fads such as these, resistance requires much more than a refusal to consume. If fads are narratives as much as products, they need to be starved of engagement, as well. We haven't figured out how to do this yet.