In the digital age, cultural artifacts are eroded by abundance. Timelines layer and compress artwork, images, and artifacts into corners of the internet. In my corner, I stumbled across a speech entitled “Perfume, Defense and David Bowie’s Wedding” delivered by Brian Eno in 1992 at the Sadler Wells Theatre in London. In it, Eno predicted the... See more
Reaching wide audiences requires all-terrain language, and the urgency of the present moment, amplified by chronological feeds, doesn’t allow for much stylistic variety. Efficiency is key — compressing as much information as possible to the least amount of words is the ideal of all communication.
While I do agree that many areas of interaction, like... See more
Browsing the internet used to be a hobby of mine. Ever since my dad got us a modem when I was around ten, I spent hours at a time just looking at different websites. The internet felt like a limitless expanse of free expression. Now, despite how many more people use the internet, I usually end up at the same three or four websites, and I end up a... See more
Status and Relatedness are stress/reward triggers and Attachment is a core human need. The exclusive "we" may reward Status for the ingroup members, but it threatens Status for the outgroup – especially those that want to belong. For outgroup members, the exclusive "we" meddles with the sense of Relatedness and creates insecure Attachment. Those... See more
Online political debate mainly involves cherry-picking the most outlandish members of the enemy side and presenting them as indicative in order to make the entire side look crazy.
The culture war is essentially just each side sneering at the other side's lunatics.
The aspect ratio of our lives has changed. By narrowing our field of view, cutting off our peripheral vision, the phone doesn’t just remove us from space and provoke a sense of claustrophobia. It isolates us.
we define moral-emotion expression in social-media text as representational expressions of affect that reliably signal, either to others or to the self, that something is relevant to the interests or good of society, as defined by the conceptual knowledge of the expresser.
What my students seek is what I sought: not just a place to publish, of which there remain plenty, but a place to aspire to, the kind of established, vital ecosystem within which a writer can learn, play, feud, create meaning, spark conversation, make sense of herself and her world. Rare by definition, such things grow more elusive by the day.