Media & Culture

Although repetition is necessary, practice isn’t just repetition. When we practice, we do two things: we isolate a technique for study, and we engage with difficulty.

Reaching wide audiences requires all-terrain language, and the urgency of the present moment, amplified by chronological feeds, doesn’t allow for much stylistic variety. Efficiency is key — compressing as much information as possible to the least amount of words is the ideal of all communication.

While I do agree that many areas of interaction, like... See more

Inherent in the concept of moral contagion, then, is the idea that moral-emotion expressions are among the most powerful signals to the self and others about one’s identity. As such, they may be among the most functionally relevant forms of expressions in the context of moral and political discourse online, where moral and political identities are... See more

Howard Blum, a former staff writer, is the first to declare the Voice “a precursor to the internet,” an idea that recurs, with diminishing shine, throughout the book’s five hundred and thirty pages. Notes of elegy sound throughout, laments for something too good to last, but also for a moment of honest and urgent revolt. When there seemed no such... See more

Your Spotify Wrapped for 2024 is the weight of all these things, whether we want to deal with it or not. AI-powered podcasts are the result of expunging the lives of the real humans who built these ideas, replacing them with a facsimile of human connection. Your data feeds into Google, and it builds you the idea of a friend in return. Artists will... See more

I know what kind of work it takes to complete a book manuscript, and I want to do that work, but to arrive at the end of it and learn that what I should have been doing instead is flooding the zone on Twitter, Instagram, and TikTok? That is fundamentally demoralizing.

The aspect ratio of our lives has changed. By narrowing our field of view, cutting off our peripheral vision, the phone doesn’t just remove us from space and provoke a sense of claustrophobia. It isolates us.

we define moral-emotion expression in social-media text as representational expressions of affect that reliably signal, either to others or to the self, that something is relevant to the interests or good of society, as defined by the conceptual knowledge of the expresser.

The problem with raging against the machine is that the machine has learned to feed off rage