Media & Culture

The programmer Simon Willison has described the training for large language models as “money laundering for copyrighted data,” which I find a useful way to think about the appeal of generative-A.I. programs: they let you engage in something like plagiarism, but there’s no guilt associated with it because it’s not clear even to you that you’re... See more

The problem with raging against the machine is that the machine has learned to feed off rage

I suspect the rise of inspiration-sharing platforms might be making me, and everyone else on the collaborative internet, more focused on publicising our taste rather than feeding it. It’s easier to go viral on Twitter (err, X) by posting “vintage design inspiration” than it is by posting your own work. New sites like PI.FYI, a social network from... See more

What’s more, art is no longer semblance. It fuses with reality.

we define moral-emotion expression in social-media text as representational expressions of affect that reliably signal, either to others or to the self, that something is relevant to the interests or good of society, as defined by the conceptual knowledge of the expresser.

I know what kind of work it takes to complete a book manuscript, and I want to do that work, but to arrive at the end of it and learn that what I should have been doing instead is flooding the zone on Twitter, Instagram, and TikTok? That is fundamentally demoralizing.