undergrounderground

“ rather than a participatory culture that deepens understanding, we have one that accelerates interpretation at the expense of complexity, where discourse is less about discovery and more about domination.”

In this new book, Han describes the deleterious effects of that degeneration on storytelling. Storytelling used to bind us communally over the campfire; it connected us to our pasts and helped us imagine hopeful futures. The digital screen has replaced that fire, making us individuals performing factitious versions of ourselves to unseen peers,... See more

“In an age of speed, I began to think, nothing could be more invigorating than going slow. In an age of distraction, nothing can feel more luxurious than paying attention. And in an age of constant movement, nothing is more urgent than sitting still.”

We believe major human efforts need a creative director. Not because it needs good typefaces, but because the counterforces of the effort’s image are simply too high to not have one.

For all its good intentions, art that tries to minister to its audience by showcasing moral aspirants and paragons or the abject victims of political oppression produces smug, tiresome works that are failures both as art and as agitprop. Artists and critics—their laurel bearers—should take heed.

Creativity happens at the intersection of three elements: the individual with the idea, the domain in which that idea operates, and the field that recognizes and values the contribution.

But the Taste Guy is just the Idea Guy reinvented for the attention age. It’s trading meaning-making for trend-hopping and cosplaying success instead of earning it. It’s posting slick prototypes for Twitter views instead of real products for DAUs and cash. It’s the fantasy of a post-AGI world where you don’t need to learn to code or write or sell... See more