about art and creativity
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monoskop.orgThere is taste in people, visual taste, taste in emotion
- and there is taste in acts, taste in morality. Intelligence, as well, is really a kind of taste: taste in ideas. (One of the facts to be reckoned with is that taste tends to develop very unevenly. It's rare that the same person has good visual taste and good taste in people and taste in ideas.)
The fear of developing “bad” taste, or taste that diverges from the mainstream, can paralyse creatives, stifling their creative growth and leading them to try to borrow or buy taste through bootcamps, curated inspiration documents or sheer are.na-driven osmosis.
Elizabeth Goodspeed on the Importance of Taste – And How to Acquire It
many people “do not want to think critically about the things they consume” and feel that “if they absorb any criticism about the things they consume it will magically ruin their enjoyment of them.” When we chatted about the role of criticism on a (fun, lightly gossipy) video call this month, she added that saying a piece of art is bad isn’t saying... See more
“I picked a bad time to become a critic” – Elizabeth Goodspeed on the collapse of design critique
Reflecting on this email from a Sublime believer:
Consuming media has become a massive time-suck for humankind. Only decades ago, the average person had one source of information, if any — the newspaper. Journalists chronicled happenings relevant to their community. And that was it. Someone got married, someone is selling their house, someone died,
... See more
A tradeoff occurs every time you get feedback. You become slightly more mainstream, slightly more aligned with the zeitgeist. You become marginally more of an exploiter than an explorer , standing on the shoulders of the giants who conceived the paradigm you’re striving to build upon. This is very effective when you want to align your work with oth... See more
Leber • The Feedback Tradeoff
The challenge is to structure one’s workflow in a way that insight and new ideas can become the driving forces that push us forward. We do not want to make ourselves dependent on a plan that is threatened by the unexpected, like a new idea, discovery – or insight.
Sönke Ahrens • How to Take Smart Notes: One Simple Technique to Boost Writing, Learning and Thinking – for Students, Academics and Nonfiction Book Writers
When I have a piece of writing in mind, what I have, in fact, is a mental bucket: an attractor for and generator of thought. It’s like a thematic gravity well, a magnet for what would otherwise be a mess of iron filings. I’ll read books differently and listen differently in conversations. In particular I’ll remember everything better; everything wi... See more
James Somers • More People Should Write
art is the medium to convey a feeling that has yet to be put into words. ‘Art is the relief from the duty of coherence,’ says Dr. Joost Vervoort, Associate Professor of Transformative Imagination at the Copernicus Institute of Sus- tainable Development, paraphrasing John Law
For all its good intentions, art that tries to minister to its audience by showcasing moral aspirants and paragons or the abject victims of political oppression produces smug, tiresome works that are failures both as art and as agitprop. Artists and critics—their laurel bearers—should take heed.