Sriya Sridhar

In her seminal work on boilerplate contracts, Margaret Jane Radin distinguishes between World A and World B to illuminate the fundamental tension between contract theory’s ideals and modern contractual reality. World A embodies the classical paradigm: contracts emerge through meaningful negotiation between informed equals. Here, parties exercise... See more

Society which scorns excellence in plumbing because it’s a humble activity, and tolerates shoddiness in philosophy because it is an exalted activity, will have neither good plumbing nor good philosophy.

Neither its pipes nor its theories will hold water.

~ John W. Gardner,

You don’t need a reason to leave. Wanting to leave is enough. Leaving doesn’t mean you’re incapable of real love or that you’ll never love anyone else again. It doesn’t mean you’re morally bankrupt or psychologically demented or a nymphomaniac. It means you wish to change the terms of one particular relationship. That’s all. Be brave enough to

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“People aren't longing to be impressed; they're longing to feel like they're home. If you create a space full of love and character and creativity and soul, they'll take off their shoes and curl up with gratitude and rest, no matter how small, no matter how undone, no matter how odd.” ― Shauna Niequist

everything is hyper engineered to make you addicted https://t.co/J7WvnjoAdQ

The “soft” characteristics of any kind of contemplative behavior (slowness, eddying, meandering) make it easy to devalue. And this, too: creative space often feels resistant, like it’s denying us something, won’t speak, won’t produce—when in reality it’s just quiet, it’s not dancing for us, or “entertaining,” or feeding us dopamine edibles.