In Lanier’s telling, this digital landscape shifted once the success of Google’s ad program revealed that you could make a lot of money on user-generated creative output, which led to the rise of social-media companies such as Facebook, Instagram, and Twitter. Initially, these companies emphasized their simple, elegant-looking interfaces and their ... See more

. I did marketing there, which basically amounted to drafting tweets that promoted a hypothetical product in unflinchingly positive terms. I remember on several occasions being reprimanded for not using enough emojis in my tweets.

Any study of worldbuilding would be remiss without mention of Biosphere 2, the experimental facility constructed in Arizona for studying the feasibility of life in a manmade ecosystem. In 1994, Abigail Alling and Mark Van Thillo broke into the complex – or rather, attempted a break-out, and in the process brought the years-long experiment to an abr... See more

I should also reiterate here that my work is absolutely not trying to future-cast a singular vision or offer immediate solutions to the present, which is an impossible and dangerous brand of solutionism that we know well enough already from the technosolutionists in Silicon Valley. Rather, I’m using speculation to expand the atlas of shared underst... See more

Le Guin and Butler use the world-building capacities of the speculative and science fictions as a cypher into the complex social, cultural, and ecological conditions of life here on Spaceship Earth[2]. In their work, Butler and Le Guin established a more empathetic kind of world-building, using the genres as a way to think critically about society ... See more

I love that summary, particularly how it catches the message of hope. Filterworld isn’t a wholesale complaint about social media; it’s a quest to figure out how we can have something better than our self-reinforcing and flattening algorithmic feeds. That is what I want people to get from reading the book, in the end. Even though digital platforms a... See more

In my new book, I came up with the word “Filterworld” to describe our interwoven environment of algorithms. These equations have become inescapable, influencing the vast majority of what we consume online — and thus what kinds of culture we consume, period. I use “filter” because algorithmic recommendations are ultimately filters that sort content.... See more

The ‘90s version of not selling out meant refusing to play certain spaces or not letting your song be in a beer commercial. The ‘20s version of selling out means making things in limited quantities to play against mass culture. Though different, the responses come from a similar place. They’re both sensing a culture where, to quote Claire L. Evans ... See more