The Creator Economy

The programmer Simon Willison has described the training for large language models as “money laundering for copyrighted data,” which I find a useful way to think about the appeal of generative-A.I. programs: they let you engage in something like plagiarism, but there’s no guilt associated with it because it’s not clear even to you that you’re copyi... See more

The companies promoting generative-A.I. programs claim that they will unleash creativity. In essence, they are saying that art can be all inspiration and no perspiration—but these things cannot be easily separated. I’m not saying that art has to involve tedium. What I’m saying is that art requires making choices at every scale; the countless small-... See more

What we have long called the creator economy is evolving to become more of a “meaning economy,” where the creators and brands and experiences that engage us will do so through story, craft, and a deeper and more sophisticated sense of meaning. The creator economy was ultimately driven by content (enabled by ubiquitous access to content creation and... See more

According to an advertising agency I consulted, for example, a weekly podcast that generates thirty thousand downloads per episode should be able to reach Kelly’s target of generating a hundred thousand dollars a year in income. Earning a middle-class salary by talking through a digital microphone to a fiercely loyal band of supporters around the w... See more

Though “Breaking Points” makes some money from podcast and YouTube ads, the bulk of the revenue comes from a premium-subscription model. If you subscribe at a cost of ten dollars a month, or a hundred dollars for a full year, you gain access to an uncut version of each episode, free of ads, in both audio and video formats.

Perhaps this pattern of radicalisation followed by recuperation has even happened with each emergent technology – newspapers, novels, film, (pirate) radio, the Internet. Each time, the new medium has a progressive force, dehabituating people from expected relations, offering new channels for experimental activity, mediatised subcultures, and the sp... See more

What’s more, art is no longer semblance. It fuses with reality.

On the one hand, the silhouette of a self-deterministic, dream-bearing, free-roaming, modern-age worker emerges as an aspiration. Ironically, these workers are also often the most alienated from the fruits of their labor. The dichotomy between 'us' and 'them' is stark. The product sees an absence of credit or attribution to freelancers at an organi... See more