Sublime

Jung, quant à lui, bien qu’extrêmement influencé par Freud, décomposait la complexité du psychisme d’une manière différente. D’après lui, l’ego de l’individu devait trouver sa place dans une relation à l’obscurité (le côté sombre de la personnalité), à l’anima ou l’animus (l’archétype de la personnalité du sexe opposé, et par conséquent souvent ref

deepening the depth psychology project: namely, to make conscious the unconscious,

Any analysis, however, even when it refrains from including the noölogical dimension in its therapeutic process, tries to make the patient aware of what he actually longs for in the depth of his being.

The theory of compensation that these figures supposedly exemplify begins with Alfred Adler, the third, least-known, and shortest-lived member of the great therapeutic triumvirate of Freud, Jung, Adler. His studies of gifted personalities universalized the idea of compensation into a basic law of human nature. His evidence, gathered in art schools

which is that psychology itself should be based not on statistics and sociology, whatever we want to call it, political realities and so on, but based on the story that a human life lives and is presented by literature.