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a scene must advance the story by bringing about some sort of change.
Daniel Calvisi • Story Maps: How to Write a GREAT Screenplay
Writing is a solitary and daunting endeavor. I wish for this material to be a lantern to help guide you through the dark tunnel of creation.
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
TRUE POINT OF NO RETURN (page 98-100):
Daniel Calvisi • Story Maps: How to Write a GREAT Screenplay
"Good dialogue is not real speech, it is the ILLUSION of real speech."
Daniel Calvisi • Story Maps: How to Write a GREAT Screenplay
Show us who we will be following for 100 hours, in an active, unique way that says something about this person and their current, or soon-to-be, place in the world.
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
Use as few words as possible. But make them the BEST words.
Daniel Calvisi • Story Maps: How to Write a GREAT Screenplay
I’ve found it helpful at times to construct a linear grid with each character having their own line and noting their beats along their lines, with eventual convergence in Act Three.
Daniel Calvisi • Story Maps: How to Write a GREAT Screenplay
Express Theme: Show us why you’re writing this story, what it is about, in action.
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
set-up, confrontation and resolution.