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It shifts the movie onto a different path, which is what a good midpoint will do.
Carson Reeves • Scriptshadow Secrets (500 Screenwriting Secrets Hidden Inside 50 Great Movies)
Here are the four acts in very broad strokes: ACT ONE: The Crisis & The Decision ACT TWO-A: Protagonist takes action ACT TWO-B: Things fall apart ACT THREE: The Final Struggle & The Resolution
Daniel Calvisi • Story Maps: How to Write a GREAT Screenplay
the midpoint in The Godfather is when Michael shoots the policeman and his life changes for ever;
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
if you’re going to use Voiceover, it must be specific, vital and advance the story. Or just be fun.
Daniel Calvisi • Story Maps: How to Write a GREAT Screenplay
In my view, stories and novels consist of three parts: narration, which moves the story from point A to point B and finally to point Z; description, which creates a sensory reality for the reader; and dialogue, which brings characters to life through their speech.
Stephen King • On Writing: A Memoir of the Craft
Storytelling, then, is the dramatization of the process of knowledge assimilation.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
Writing is a solitary and daunting endeavor. I wish for this material to be a lantern to help guide you through the dark tunnel of creation.
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot

Kuleshov discovered that the extraordinary new medium of film took advantage of the human need to impose order on the world.