Philipp Rimmler
@philrimmler
Philipp Rimmler
Spell it? I don't spell it, I wear it.
ON THE WAY HOME WITH: Diane Von Furstenberg; Always Room For Old Beaus (Published 1993)
ALBERTO NO. 1
Adapted from Adalberto Alonso, La Caravelle. (Recipe from The New York Times .)
Juice of 1 lime
2 ounces vodka
10 mint leaves, rinsed
1 1/2 teaspoons extra-fine bar sugar
Champagne
Mint sprig for garnish
In a cocktail shaker, combine lime juice and vodka. Add mint leaves, and crush with a spoon. Add the sugar and a little ice. Shake vigorous... See more
Adapted from Adalberto Alonso, La Caravelle. (Recipe from The New York Times .)
Juice of 1 lime
2 ounces vodka
10 mint leaves, rinsed
1 1/2 teaspoons extra-fine bar sugar
Champagne
Mint sprig for garnish
In a cocktail shaker, combine lime juice and vodka. Add mint leaves, and crush with a spoon. Add the sugar and a little ice. Shake vigorous... See more
10 Questions for Christine Muhlke
Circa 1025 A.D. Ibn Sina (Avicenna) said, "The knowledge of anything, since all things have causes, is not acquired or complete unless it is known by its causes."
Roy Casagranda: About Me
Literature is at once the most intimate and the most articulate of the arts. It cannot impart its effect through the sense or the nerves as the other arts can; it is beautiful only through the intelligence; it is the mind speaking to the mind ... if it fails to express precisely the meaning of the author, if it does not say HIM, [sic] it says nothi... See more
Miguel • Issue #341: How to Earn Money from Your Writing
The idea is that the picture in its
frame
should give the illusion of being a window through which the immobile
eye
of the observer looks at an outside 3-dimensional world. (Alberti speaks of the canvas as ``an open window through which I see what I want to paint.'')
frame
should give the illusion of being a window through which the immobile
eye
of the observer looks at an outside 3-dimensional world. (Alberti speaks of the canvas as ``an open window through which I see what I want to paint.'')
alberti-1
To be modern is to experience personal and social life as a maelstrom, to find one’s world and oneself in perpetual disintegration and renewal, trouble and anguish, ambiguity and contradiction: to be part of a universe in which all that is solid melts into air. To be a modernist is to make oneself somehow at home in the maelstrom, to make its rhyth... See more
Reggie James • make some NOISE!!!
Now the point of this myth is the fact that men at once become fascinated by any extension of themselves in any material other than themselves.
- Marshall McLuhan, Understanding Media - The Gadget Lover: Narcissus as Narcosis
In Search of New Software Cultures
What brands have realized is, you can create a “halo effect” around this that drives revenue for your brand. People line up to buy the limited edition stuff, and if they don’t get it, they still buy something less exclusive because they have already decided that your brand is cool and desirable and they want to advocate.