This suggests that the linear relationship between plausibility and hippocampal activity observed in the Weiler et al. study may not hold for the entire spectrum of plausibility. Instead, extremely implausible events may be associated with decreased hippocampal activity (relative to less implausible events), as observed in the current study where... See more
many of the quant-ities related to suffering are based on perceptions and similar uncertain infer-ences. The uncertainty will necessarily increase frustration since it means the predictions of reward often go wrong . More fundamentally, the computed reward loss can be uncertain, even illusory .
Content filtering doesn’t catch implicit deception. Safety guardrails don’t prevent fabricated intimacy if the AI isn’t saying anything explicitly harmful. Warning labels don’t help if users don’t understand that emotional manipulation is happening. The control mechanisms are fundamentally different depending on whether we’re addressing harm or... See more
Smell has the power to evoke strong emotions and trigger vivid memories, making it an ideal candidate for enhancing children’s experiences in a living enactment of the story on a trail within the museum.
The distinctive feature of imagination, therefore, rests on its capacity of creating new mental images by combining and modifying stored perceptual information in novel ways and by inserting this information in a subjective view of the world: hence it is related to his self-awareness. In other words, imagination is not simply the organization,... See more
The community remains puzzled about whether these models genuinely generalize to unseen tasks, or seemingly succeed by memorizing the training data. This paper makes important strides in addressing this question. It constructs a suite of carefully designed counterfactual evaluations, providing fresh insights into the capabilities of... See more
The home of the Utopian impulse was architecture rather than painting or sculpture. Painting can make us happy, but building is the art we live in; it is the social art par excellence, the carapace of political fantasy, the exoskeleton of one’s economic dreams. It is also the one art nobody can escape.