taste
Collecting is an exercise in creating a framework, the logic of what is in or out. But then there are decisions that seem associative or intuitive.
The Organizing Edition
big secret to happiness is just liking stuff. finding more stuff to like. finding ways to like stuff you didn’t before. recognizing what it feels like to like something and doubling down on that. what feels frivolous is actually the whole ballgame
via Austin Kleon newsletter 5/24/24
On a recent episode of Marc Maron’s WTF podcast, James Murphy of LCD Soundsystem was talking about reading Harold Bloom’s The Anxiety of Influence early on and how unconcerned he is now with being new or original. He recalled a speech he heard by Brian Eno about his early ambient work:
It’s hard to explain, but it was very easy to be new at that... See more
Article
We celebrate the fact that most artists today have a huge portion of humankind’s output at their fingertips at any given moment, but we rarely think about the fact that exposure and abundance can also become a paralytic. Eno said he wanted to hear a certain kind of music, so he had to invent it for himself. Who feels the need to make new music, when you can almost always call up music that is completely new to your ears?
Sometimes when I watch my 8-year-old making music, I note how unencumbered he is by musical history and how free he is of any need to be original. He is happy, for now, to make music that is a parody of what he’s heard, and in the parodying, he comes up with his own thing. It’s new to him and that’s what’s important.
In fact, this is the great gift of children: everything is new to them, and so it can become new to you, if you let it.
Cool means different things to different people, but to me, it’s about authenticity—which is very different from “relatability.” People who make great art that moves the masses are not like you and I. They have a point of view, laser focus, a pinch of delusion, and a level of execution that is required to make something great and be able to sell... See more
Why Celebrities Stopped Being Cool
Cole Smith: “ And my third recommendation is just the idea of sampling yourself . Sampling yourself is so fun to me, because you might make a song, and it sucks, but instead of throwing it in the trash, you chop it up and use it as a sample. I highly recommend it.”
Blackbird Spyplane: It’s interesting to think about how to apply that idea outside... See more
Blackbird Spyplane: It’s interesting to think about how to apply that idea outside... See more
Bringing a kid into our declining world is terrifying
In the digital age, cultural artifacts are eroded by abundance. Timelines layer and compress artwork, images, and artifacts into corners of the internet. In my corner, I stumbled across a speech entitled “Perfume, Defense and David Bowie’s Wedding” delivered by Brian Eno in 1992 at the Sadler Wells Theatre in London. In it, Eno predicted the... See more
The Future Will Be Like Perfume | Are.na Editorial
It’s not just movies and TV, of course — we’re all aghast at how much time we spend on devices, consuming content , whatever that means. Reading and watching and posting and shopping, always shopping for things and ideas and comfort and distraction. Surely this endless marketplace will turn up something that satisfies us at some point! I complained... See more
nytimes.com • Works of Art - The New York Times
By contrast, when “everything is at our fingertips” — when art is compressed into the same omnipresent and infinite digital non-time as every random piece of internet garbage — I think that we’re left feeling incomplete on some basic human level, like we’re the practitioners of a vibey old religion whose rituals were all but erased, and whose... See more
Streaming is an affront to God
And so, when people valorize these kinds of outmoded media, and outmoded acts of endurance and devotion, I don’t think it’s just about empty nostalgia. Because these are touchstones and processes — precisely in their inefficiency — by which people can open themselves up to transformative experience, and honor the depth and fullness of what art means to us.
But that eternal present is a lie, an illusion, a fabrication of the digital interfaces. And this not only destroys our sense of the past but also undermines our ability to think about the future.
In an environment without past or future, all we have is stasis.
So it’s no coincidence that culture has stagnated in this eternal digital now . The same... See more
In an environment without past or future, all we have is stasis.
So it’s no coincidence that culture has stagnated in this eternal digital now . The same... See more