taste
“I don’t need them,” he admitted, sifting through his boxes containing thousands of old records. “No one needs them.” But he suggested they fulfill some spiritual purpose that might benefit us more than ever today. “It’s nice to have a curated collection of the things you like around. Especially with everyone trying to ‘Marie Kondo’ their lives and... See more
Cereal Box Records Sound Horrible. They Still Look Incredible.
To be clear, some people are great at making things and simply bad at dressing. But what inspires me about the examples above is the running theme of work and talent making you look better . Too often, when we desperately search for “the perfect jeans” “the perfect tee” or “the perfect haircut,” I think that what we are really looking for doesn’t... See more
Do good work and your fits will follow
But that eternal present is a lie, an illusion, a fabrication of the digital interfaces. And this not only destroys our sense of the past but also undermines our ability to think about the future.
In an environment without past or future, all we have is stasis.
So it’s no coincidence that culture has stagnated in this eternal digital now . The same... See more
In an environment without past or future, all we have is stasis.
So it’s no coincidence that culture has stagnated in this eternal digital now . The same... See more
Is Mid-20th Century American Culture Getting Erased?
But what we consume does, truly, matter. It’s essential to appeal to the people in our lives, and remind them of the importance of seeking out imaginative work that might stoke the fires of their own creativity.
Because we aren’t just talking about entertainment here, or distraction, or leisure. We’re talking about the narratives that comprise the... See more
Because we aren’t just talking about entertainment here, or distraction, or leisure. We’re talking about the narratives that comprise the... See more
The Hollywood Originality Edition
Ok, here goes: I realized that the quality I value among the most highly—if not the most hightly—in an artistic collaborator is conviction. A lot of words are thrown around when it comes to creative work: trust, community, "gift" in the Lewis Hyde sense, sincerity, etc. But conviction is different—it's belief in what you are doing, being driven to... See more
Weekend Epiphany
Joanne McNeil All My Stars Oct 11, 2022 newsletter
Cool means different things to different people, but to me, it’s about authenticity—which is very different from “relatability.” People who make great art that moves the masses are not like you and I. They have a point of view, laser focus, a pinch of delusion, and a level of execution that is required to make something great and be able to sell... See more
Why Celebrities Stopped Being Cool
On a recent episode of Marc Maron’s WTF podcast, James Murphy of LCD Soundsystem was talking about reading Harold Bloom’s The Anxiety of Influence early on and how unconcerned he is now with being new or original. He recalled a speech he heard by Brian Eno about his early ambient work:
It’s hard to explain, but it was very easy to be new at that... See more
Article
We celebrate the fact that most artists today have a huge portion of humankind’s output at their fingertips at any given moment, but we rarely think about the fact that exposure and abundance can also become a paralytic. Eno said he wanted to hear a certain kind of music, so he had to invent it for himself. Who feels the need to make new music, when you can almost always call up music that is completely new to your ears?
Sometimes when I watch my 8-year-old making music, I note how unencumbered he is by musical history and how free he is of any need to be original. He is happy, for now, to make music that is a parody of what he’s heard, and in the parodying, he comes up with his own thing. It’s new to him and that’s what’s important.
In fact, this is the great gift of children: everything is new to them, and so it can become new to you, if you let it.
Decades ago, friction was what made a subculture. You had to figure out what punk or goth was about, learn its codes, seek out compatriots, and then maybe go to Hot Topic or a hardcore show. Friction is lower online and visibility is higher. We are all constantly performing our preferences in public. “Subcultures,” in the sense of aesthetic niches,... See more
One Thing • 🟧 Does subculture still exist?
What we get instead is what Byung-Chul Hanmhas described as an "overheating of the ego." Pure individuality through momentary identification of yourself with an aesthetic, which exhausts us by depriving us of any real conflict or difference. What we consume online amounts to a cheaply reproducible set of vague designs. There is only an endless hall of shiny standees, of potential versions of yourself you can pop your face into as you go. Take the photo. And move on. The problem with this "aesthetic," as Silcoff so candidly shows, is that it is entirely a product of the internet’s selfie culture. Offline, these relations – the social construction of identity — were once mediated by something with a bit more give and a sense of reality.