taste
Decades ago, friction was what made a subculture. You had to figure out what punk or goth was about, learn its codes, seek out compatriots, and then maybe go to Hot Topic or a hardcore show. Friction is lower online and visibility is higher. We are all constantly performing our preferences in public. “Subcultures,” in the sense of aesthetic niches,... See more
One Thing • 🟧 Does subculture still exist?
What we get instead is what Byung-Chul Hanmhas described as an "overheating of the ego." Pure individuality through momentary identification of yourself with an aesthetic, which exhausts us by depriving us of any real conflict or difference. What we consume online amounts to a cheaply reproducible set of vague designs. There is only an endless hall of shiny standees, of potential versions of yourself you can pop your face into as you go. Take the photo. And move on. The problem with this "aesthetic," as Silcoff so candidly shows, is that it is entirely a product of the internet’s selfie culture. Offline, these relations – the social construction of identity — were once mediated by something with a bit more give and a sense of reality.
4/4. Be a good assistant to yourself. Prepare and gather, make notations and sketches in your head or phone. When you work, all that mapping, architecture, research & preparation will be your past self giving a gift to the future self that you are now.
That is the sacred.
Jerry Saltzx.comWe are adrift–a culture of consumers accustomed to buying objects and building collections as the sole means of documenting our cultures–deprived of the infrastructure to do so. But our individual inability to collect and store is one I’ll lament the least.
Yes, we’re drifting, but maybe we can choose to float towards a more collective stewardship... See more
Yes, we’re drifting, but maybe we can choose to float towards a more collective stewardship... See more
Michelle Santiago Cortés • Crimes Against Search | Dirt
personal agency vs enshittification
While it’s probably one of the corniest things I’ll ever write in this column, I’ve come to believe that developing taste is not so unlike going to therapy; it’s an inefficient, time-consuming process that mostly entails looking inward and identifying whatever already moves you. It’s the product of devouring ideas, images and pieces of culture not... See more
Elizabeth Goodspeed on the Importance of Taste – And How to Acquire It
By contrast, when “everything is at our fingertips” — when art is compressed into the same omnipresent and infinite digital non-time as every random piece of internet garbage — I think that we’re left feeling incomplete on some basic human level, like we’re the practitioners of a vibey old religion whose rituals were all but erased, and whose... See more
Streaming is an affront to God
And so, when people valorize these kinds of outmoded media, and outmoded acts of endurance and devotion, I don’t think it’s just about empty nostalgia. Because these are touchstones and processes — precisely in their inefficiency — by which people can open themselves up to transformative experience, and honor the depth and fullness of what art means to us.
But what we consume does, truly, matter. It’s essential to appeal to the people in our lives, and remind them of the importance of seeking out imaginative work that might stoke the fires of their own creativity.
Because we aren’t just talking about entertainment here, or distraction, or leisure. We’re talking about the narratives that comprise the... See more
Because we aren’t just talking about entertainment here, or distraction, or leisure. We’re talking about the narratives that comprise the... See more
The Hollywood Originality Edition
house dysmorphia vs nostalgia:
social media might be causing a sort of “house dysmorphia”
and it’s finally more noticeable as we become more drawn to nostalgia
your home should be a sincere reflection of yourself, not a copy of someone else’s highly curated design
it has so much more value in your life when the space you spend most of your time is... See more
social media might be causing a sort of “house dysmorphia”
and it’s finally more noticeable as we become more drawn to nostalgia
your home should be a sincere reflection of yourself, not a copy of someone else’s highly curated design
it has so much more value in your life when the space you spend most of your time is... See more
thrift_bee • Link
In fact, Chayka treats the concept of “taste” throughout with a preciousness I doubt he actually is unsophisticated enough to hold. He cites contradictory definitions, mobilizing Voltaire one moment to say that taste must be cultivated and effortful, and then Montesquieu and Agamben the next to say that taste works by rules we do not (cannot?)... See more
bookforum.com • Kyle Chayka Looks at Our Supposedly Flat New World
I stand alongside Chayka in looking for strategies to pushing in the other direction. But I can’t help rolling my eyes when he talks as if it’s any kind of novelty for artists (much less “influencers”) to find their visions stymied by commercial demand. Again, one advantage of the algorithmic version may be that it’s externalized in ways that become easier to spot and critique.
Logging off
It’s easy to forget that we used to find music, movies, photography, and books entirely offline. You’re more likely to discover something truly serendipitous and surprising flipping through vintage magazines at your local public library than endlessly scrolling an Instagram feed that’s already tailored to your taste. Stroll through an... See more
It’s easy to forget that we used to find music, movies, photography, and books entirely offline. You’re more likely to discover something truly serendipitous and surprising flipping through vintage magazines at your local public library than endlessly scrolling an Instagram feed that’s already tailored to your taste. Stroll through an... See more