making-meaning
By contrast, when “everything is at our fingertips” — when art is compressed into the same omnipresent and infinite digital non-time as every random piece of internet garbage — I think that we’re left feeling incomplete on some basic human level, like we’re the practitioners of a vibey old religion whose rituals were all but erased, and whose... See more
Streaming is an affront to God
And so, when people valorize these kinds of outmoded media, and outmoded acts of endurance and devotion, I don’t think it’s just about empty nostalgia. Because these are touchstones and processes — precisely in their inefficiency — by which people can open themselves up to transformative experience, and honor the depth and fullness of what art means to us.
Both responses miss something important, though. They both assume that what we know as “culture” is the only type of culture that could ever exist.
There’s a third possible response, and that’s that there’s a new culture all around us.
We just don’t register it as “culture.”
There’s a third possible response, and that’s that there’s a new culture all around us.
We just don’t register it as “culture.”
Default Friend • No, Culture is Not Stuck
When everything is cheerfully “retro,” Fisher argued, we lose our grasp on history—and, without a sense of why the past happened the way it did, our anything-goes embrace of “happy hybridities” is an empty gesture. “What pop lacks now is the capacity for nihilation, for producing new potentials through the negation of what already exists,” he
... See moreMark Fisher’s “K-Punk” and the Futures That Have Never Arrived
Hua Hsu, December 11, 2018, New Yorker
Journaling, especially if you include things you’re grateful for, is the cheapest possible therapy. It’s been shown to provide positive mental health benefits, alleviating anxiety, and tamping down intrusive thoughts while improving short-term memory. Focusing on gratitude has been shown to decrease materialism in young people, among the myriad... See more
Guest Contributor • The Diary Edition
Tech-enabled tl;dr certainly has a place. There’s more content than ever and most of it is too long. But when everything is mediated by a summary, layers are being built between our brains and the thing itself, allowing something else—increasingly, AI—to interpret things for us.
The Summary Edition
When we mainline takeaways, blurbs, bullets, key insights, there is something lost. We are sanding down friction, muffling voice, removing tone, and accepting pre-fabricated meaning. Will AI-driven distilling get us closer to the thing itself, or further away?
Also what I mean by a good reader is not like a good student of literature but more like a good listener. They read/listen for why something is on the page. They come to each work without a checklist of how to do something well, or what makes something a success or a failure. Their taste is unique and continually expanding with the work they turn... See more
Joanne McNeil • where do my legs go
Where I care about this stuff is, well, I wish there would be more good readers. That more people would turn to work with a sense of expansiveness rather than moral accounting. Art is created with work but our enjoyment and appreciation of it isn’t work. Well, it doesn’t have to be.
Joanne McNeil
Brian Eno: why I sculpt sound : "The thrill of making music is not when you succeed in meeting the brief, but when something happens that you hadn’t expected — some moment of synergy when you put together two or three familiar things and something emerges that is much bigger, more complex and surprising. The feeling at that moment — 'now I’m... See more
Smiley Shields and Blue Noise Dithering
Keepsakes—like luxury watches or rare books—are already finding their place in the second-hand market, attracting collectors and enthusiasts of contemporary relics. In the future, digital keepsakes could also acquire invaluable worth. Imagine, for example, a Friend pendant worn by a major celebrity or a groundbreaking scientist. This small object,... See more
Laurent François • The promises of digital keepsakes
Dec 03, 2024
On a recent episode of Marc Maron’s WTF podcast, James Murphy of LCD Soundsystem was talking about reading Harold Bloom’s The Anxiety of Influence early on and how unconcerned he is now with being new or original. He recalled a speech he heard by Brian Eno about his early ambient work:
It’s hard to explain, but it was very easy to be new at that... See more
Article
We celebrate the fact that most artists today have a huge portion of humankind’s output at their fingertips at any given moment, but we rarely think about the fact that exposure and abundance can also become a paralytic. Eno said he wanted to hear a certain kind of music, so he had to invent it for himself. Who feels the need to make new music, when you can almost always call up music that is completely new to your ears?
Sometimes when I watch my 8-year-old making music, I note how unencumbered he is by musical history and how free he is of any need to be original. He is happy, for now, to make music that is a parody of what he’s heard, and in the parodying, he comes up with his own thing. It’s new to him and that’s what’s important.
In fact, this is the great gift of children: everything is new to them, and so it can become new to you, if you let it.