Internet: repulsion and attraction
The internet is still so young that it’s still momentous to see a social network of some scale and lifespan suddenly lose its vitality. The regime change to Elon and his brain trust and the drastic changes they’ve made constitute a natural experiment we don’t see often. Usually, social networks are killed off by something exogenous, usually another... See more
Eugene Wei • How to Blow Up a Timeline
Billions use it, including me, but it feels like the dying Rust Belt city of the internet
Freddie deBoer • The Bitter End of "Content"
Attention is what creates value. Artworks are made as well by how people interact with them — and therefore by what quality of interaction they can inspire. So how do we assess an artist who we suspect is dreadful but who manages to inspire the right storm of attention, and whose audience seems to swoon in the appropriate way? We say, ‘Well done.’... See more
T
Brian Eno • Brian Eno on Creativity, Confidence, and How Attention Creates Value
In the early days of the internet, the Web’s surface was relatively smooth and its “gravitational force” was weak. You could random walk without getting sucked into any black holes. During the 2010s, social media platforms “dug into the Web surface, dragging activities down their slopes … As a result of this magnetic-like attraction, caused by the ... See more
Aaron Z. Lewis • The garden of forking memes: how digital media distorts our sense of time
Unfortunately, advertising has been ingrained into the internet as the basic model for so long and to such an extent that it’s hard to envision online life without the systematic manipulation of attention and all its evils. So we’re bound to wind up here, at the bitter end of “content.” Which is a good excuse to withdraw deeper into books, movies,
... See moreFreddie deBoer • The Bitter End of "Content"
The best love is quiet. The best confidence is quiet. And so are the lives with the most meaning.
Substack • You Don't Need To Document Everything
The marketplace of attention was supposed to solve this problem; we were told that the good channels would be elevated by the platforms and that people would stop watching the bad channels. But the marketplace of attention cares only about attention
Freddie deBoer • The Bitter End of "Content"
As a venue for interaction I view the current social landscape as an online version of WWE. A lot of what I see (maybe it’s my algorithm) are people playing characters that are extensions of their true self, triumphs and tragedies serve as storylines in this never ending soap opera.