A key rule of theatre is that the King is never played by the actor playing the King, but by all the other actors around him.
Saved by rob hardy
A key rule of theatre is that the King is never played by the actor playing the King, but by all the other actors around him.
This theatre analogy is not perfect. Unlike human actors, chatbots are not physically present. They do not make conscious choices about how to portray characters or co-construct meaning with their audience. Nevertheless, this framework is useful because it clarifies and accentuates the relation between chatbots and the deceased. Actors are neither ... See more
Amy Kurzweil • Are chatbots of the dead a brilliant idea or a terrible one? | Aeon Essays
“One can be powerful only through the possession of an acknowledged title—that is, only by the ceremonial deference of others. Power is never one’s own, and in that respect it shows the contradiction inherent in all finite play. I can be powerful only by not playing, by showing that the game is over. I can therefore have only what powers others giv... See more
I have been enamored with Samo Burja’s notion of a live player for a while, which he contrasts to a dead player. From his Great Founder Theory:
A live player is a person or well-coordinated group of people that is able to do things they have not done before. A dead player is a person or group of people that is working off a script, incapable of doin... See more
A live player is a person or well-coordinated group of people that is able to do things they have not done before. A dead player is a person or group of people that is working off a script, incapable of doin... See more
Peter Limberg • Becoming a Live Player
William Shakespeare wrote, “All the world’s a stage, and all the men and women merely players: they have their exits and their entrances; and one man in his time plays many parts.”
Benjamin Hardy • Personality Isn't Permanent
Ideally, in every scene each character brings out qualities that mark the dimensions of the others, all held in constellation by the weight of the protagonist at the center.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
A critical piece of the process is inviting people to see themselves as both authors of and actors in their performances, recognize that these are just performances, and make new choices about how they want to be