The View From Tokyo: why Laforet Harajuku is an epicentre for the city’s alternative creative ideas
Ray Masakiitsnicethat.com
The View From Tokyo: why Laforet Harajuku is an epicentre for the city’s alternative creative ideas
As part of this mobo ethos, Ishizu rejected the utilitarian gakuran school uniform and instead ordered a three-piece suit in brown-green tweed—at the cost of half a professor’s monthly salary.
A June 1980 documentary from national broadcaster NHK, Young Plaza: 24 Hours in Harajuku followed a fifteen-year-old takenoko-zoku member, “Yayoi,”