The sound of failure
“Whatever you now find weird, ugly, uncomfortable, and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit — all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of con... See more
🌀🗞 The FLUX Review, Ep. 149
Agalia Tan added
“Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit - all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of cont
... See moreHarshith Iyer and added
Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit – all these will be cherished and emulated as soon as they can be avoided.... See more
It’s the sound of failure: so much of modern art is the sound of things going out of contr
ayjay • The Homebound Symphony
David Pennington added
"The question is: ‘Is the act of getting attention a sufficient act for an artist? Or is that in fact the job description?’"
Maria Popova • Brian Eno on Creativity, Confidence, and How Attention Creates Value
Sixian added
“Nothing so dates an era as its conception of the future."
– Brian Eno
Paulina Paucic added
“[On one end, you have] auto-tune that perfectly puts music into tune…which is sort of flawless and faultless. [In contrast, the other side] is clumsy, awkward, crude and unfinished things that we all actually like in the right context.
The reason we like the Velvet Underground is not for their gloss. It's for their roughness. For the feeling we ha... See more
The reason we like the Velvet Underground is not for their gloss. It's for their roughness. For the feeling we ha... See more
andrea added
Brian Eno on why we’re drawn to the new and authentic
Surrender. It's Brian Eno
theguardian.comSpaceXponential and added
Eno sought to create music that could be interrupted at any time (for flight announcements and such) without in any way harming the music. Also, since the music would probably be talked over, none of the instruments or frequencies matched the sound of the average human voice so there would be no need to compete for sonic space. He also noticed that... See more
Brian Eno - Ambient 1: Music for Airports [Full Album]
("JP") added
context matters