The Return review – Juliette Binoche and Ralph Fiennes bring fierce class to elemental Odyssey adaptation

the work still gains its power, like the cubism of Braque and Picasso, from its relationship to traditional form.

Dans le film, j’avais exploré des idées dont nous avions souvent discuté avec Robert. L’artiste recherche le contact avec la conscience intuitive qu’il a des dieux, mais afin de créer son œuvre il ne peut pas rester dans ce royaume séduisant et incorporel. Pour faire son travail, il doit retourner dans le monde réel. Il est de la responsabilité de

Her favorite was Trouble Every Day, the only horror film Claire Denis ever made, in which an American man goes to Paris with his wife for their honeymoon. But the trip has a darker purpose.

he has invented his own cinematic universe where out of chaos and detritus come moments of pure poetry and the deepest enlightenment.