
Werner Herzog – A Guide for the Perplexed: Conversations with Paul Cronin

he has invented his own cinematic universe where out of chaos and detritus come moments of pure poetry and the deepest enlightenment.
Paul Cronin • Werner Herzog – A Guide for the Perplexed: Conversations with Paul Cronin
When it comes to organising your set, it’s important to maintain close physical contact with your crew at all times. There are often a dozen people hanging around, talking on their phones, paying no attention. I insist that all non-essential conversations take place far from the camera and actors, which means no walkie-talkies within a hundred feet
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I wanted to make films and needed a camera, so I had some kind of natural right to this tool. It was expropriation. If you are locked in a room and need air to breathe, take a chisel and hammer and break down the wall. When you have a good story to tell, by dint of destiny or God knows what, you gain the right to do such things. I helped this camer
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What does it mean to transform a whole world into music? That’s what opera is about. The idea of staging an opera seemed a strange thing for me to do, until I realised that since my earliest days as a filmmaker I have sought to transform every action, every word into images, so I thought, “Why shouldn’t I try at least once in my life to do the same
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The creative art of adaptation.
What do you mean by “sublime”? Start with its Latin origin: sublimus, meaning uplifted, lofty or elevated. A door has a threshold down below and a raised lintel, the horizontal support overhead. It is elevated above us as we walk through the door. It is beyond us and outside us and larger than us, yet not wholly abstract or foreign.