Saved by sari
Journalists will learn influencing isn’t easy
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Many journalists will join the passion economy and work for themselves but you’ll also have journalist who prefer a steady income and working under an established organization
Nathan Baschez • Journalism, Subscriptions, and Podcasting with Li Jin and Nathan Baschez
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As we’ve pushed past the dawn of this so-called creator renaissance, however, and the sun starts to loom high in the sky, I’ve found myself wondering where it all goes.
I still think that the new models that have been, and continue to be, developed today can offer creators stability and financial freedom in a way that the gig life does not. Bu... See more
I still think that the new models that have been, and continue to be, developed today can offer creators stability and financial freedom in a way that the gig life does not. Bu... See more
Nadia Asparouhova • The creator economy
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In the wake of the Summer of Substack, the novelty of launching a newsletter where readers pay directly for your work has given way to the reality of, well, keeping that newsletter up. And keeping those readers happy. And finding new ones when, inevitably, some of those readers decide they’re kind of over you (nicely termed as “churn”). Inevitably,... See more
The Atlantic • A Good Newsletter Exit Strategy Is Hard to Find
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The explosion of influencers and creators on YouTube, Instagram and TikTok has proven yet again the power of personality. The direct connection an audience feels to these stars is powerful. We’re seeing Substack and forward thinking publishers like Complex, Barstool and Axios capitalize on this dynamic. (The risk is obviously the limited enterprise... See more
Brian Morrissey • The hierarchy of differentiation
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Who will we even consider to be creators? I see two trends having an impact here. First, the line between mainstream and digital talent will fade away: not so much through creators ‘breaking through’ into the mainstream (a narrative that already feels out-of-date), as through the opposite - talent that has (or would have) found an audience through ... See more
Jad Esber • 📺 the creator economy in 2030 and the growth of viewer-funded businesses
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Reporting on not just Substack, but Patreon, Cameo, Twitch, and OnlyFans, I find myself struck more by the similarities than the distinctions between the entertainers, artists, digital professionals, influencers, and journalists who populate these platforms. Though we like to consider ourselves distinct by dent of our craft’s supposedly elevated ca... See more
Mark Stenberg • The rise of the journalist-influencer
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