Hundertwasser - Text Detail

- At the opening of the Bauhaus institution Walter Gropius read his manifesto which declared in part: - | “there is no essential difference between the artist and the craftsman”

Ours is an economically oriented age. In earlier times, world-view was more important. Today, nobody can exist without considering economics: we are concerned with economic form. Also because the need for rational design necessarily follows the previous overemphasis on emotion or historical forms. (Because, like clothes, forms also wear out.)

Econom

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“Most of the wonderful places in the world were not made by architects but by the people.”

- Christopher Alexander

“emotional architecture”—a concept which also lends the title to this exhibition. According to Barragán, “It is very important for humankind that architecture should move by its beauty; if there are many equally valid technical solutions to a problem, the one which offers the user a message of beauty and emotion, that one is architecture.”

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philosopher Costica Bradatan illustrates the point by means of a fable about an architect from Shiraz in Persia who designed the world’s most beautiful mosque: a breathtaking structure, dazzlingly original yet classically well proportioned, awe-inspiring in its grandeur yet wholly unpretentious.7 All those who saw the architectural plans wanted to

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Architecture is not an economic commodity that can be corrected by market forces, nor an engineering problem that can be honed towards an optimal solution. Architecture is a spiritual ethic, one that both shapes and is shaped by the ambient zeitgeist of the society it stands in.