Severin Matusek

Over the past 13 years, Swift has perfected the pop culture feedback loop: Sheshares updates about her life and drops hints about new music, which fans thengobble up and re-promote with their own theories, which Swift then re-shares on herTumblr or incorporates into future clues. [...] "I've trained them to be that way," shesays of her fans' astute... See more

Today's sincerity is less about saving the world and more about building a world worth saving, starting with your own corner of it.

In fact, if I sense that an artist is creating, saying or doing things just to win public approval, or to yield to the demands of the market, well, that’s when I tend to turn away.

What appealed to me wasn’t the monetary use of blockchains but the idea that they could provide the basis for a more user-centric alternative to the unpleasant state of affairs known as Web 2.0.

The study’s authors warned that habitual AI use could lead to “cognitive debt,” a condition of LLM dependency whose long-term costs include “diminished critical inquiry,” “increased vulnerability to manipulation,” and “decreased creativity.” It turns out your brain, like love or money, can be given away.

In 2023, we launched an editorial series about AI called Shades of Intelligence. We learnt a lot about the way creatives were beginning to work with this new tech, harnessing it for tasks ranging from creative direction to project rollout. Since then, the needs have shifted. After two years of rapid change, Light and Shade focuses on the wider... See more

If immersive media prefigured the rise of the neoliberal world order, network media prefigured its collapse.

Art, which had previously been a way to produce discursive polyphony, aligned itself with the dominant social-justice discourses of the day, with works dressed up as protest and contextualized according to decolonial or queer theory, driven by a singular focus on identity.