“How do you exhibit that? Does that create a new economy for artists? Does that require new governance structures between the institution and the artists exhibiting that work? How do we show people how exciting this is?”
So a lot of the scenarios in my projects that seem to hinge ludicrously across dystopia and utopia—another set of unproductive binaries we’ve created—are actually machine-generated.
A number of recent studies, while small in scale, have suggested that we grieve the loss of friction that comes from skipping over time-intensive or frustrating tasks, particularly in creative scenarios.