Severin Matusek

NFTs offer the promise of scarcity and authenticity for digital goods. NFTs aren’t the only way to create scarcity and authenticity online — trusted, centralized entities such as banks (and platforms such as Twitter and Apple) do it within their verticals, and blockchain tech is evolving to address myriad environmental and security concerns. So the... See more

The ways to provide context on our digital profiles (e.g. Linktree) are very limited. The creator economy does a poor job at that.

From Asparouhova’s perspective, the lesson we should draw is not that bad ideas should in fact be suppressed but that good ideas require the trussing of sturdy, credible institutions—structures that might withstand the countervailing urge to raze everything to the ground.

About the problems of the Creator Economy There is a desire to be seen how you wish to be seen. Content today is presented without almost zero context, e.g. videos on Youtube recommended by an algorithm.

Carly speaks from her background in magazines to explain that adding a Discord channel to the NEW MODELS structure was important because “editors don’t make magazines, they make audiences. And a magazine or a podcast alone is no longer the way to do that. It has to be something more cybernetic.” She paraphrases theories from K Allado McDowell’s... See more

However, with the trend of deglobalisation, major powers are now placing greater emphasis on self-strengthening and self-reliance. Their competitive strategies have shifted toward enhancing their relative advantage by restricting the development of rivals. Even if their own growth slows, they aim to ensure that their competitors develop at an even... See more

If LLMs can now ace the IMO, why not make them president and CEO too? They should run the institutions, not us. Relatedly: the idea that Mars colonization or Cluely or whatever is some kind of natural, inevitable endpoint to humanity; that regardless of whether a product is something we want, there is a moral duty to bring it into existence—to... See more

Artists using these platforms ended up managing two disconnected worlds – their mainstream streaming presence on one side and their web3 collectors on the other.