Severin Matusek

We're now living in a system where attention dynamics are the operating system for resource allocation, political decisions, and identity formation.

See, the good news about the culture war is the values did change. You can be trans, gay, etc. The bad news is not everyone has to like it. Wanting legal protections is one thing. Wanting consistent representation in the media until your group or lifestyle attains universal acceptance is childish. You know that will never happen.

Then it hit me: lorecraft is a natural and adaptive intellectual response to the automation of vast swathes of managerial/leadership functions, and organizational processes. You end up doing more of what the machines don’t.

Taylor Swift, for example, is notorious for generating lore, putting easter eggs in everything she does, and readingand playing into fan theories about herself. She does this both in the ‘text’ of her songs (see: the fandom’s obsession around the Betty/August/James lore in the album /iterallycalled folklore), as well as in her activities... See more

The traditional boundaries of profession and practice blur not because they're being forcibly eroded, but because they're becoming irrelevant to how value is actually created.

AE: Reflecting back on the past year, one project that stands out for me is Mitchell F. Chan’s The Boys of Summer (2023) because I’m interested in how we are all folded into gamified networks. Which works or exhibitions have resonated the most with you over that time? ‍

n the vacuum of this interim period we're offered up a brief window of reflection. Before another cycle of froth and evangelism sets in (cough cough AI), perhaps it's a good time to ask ourselves about what we just went through?