Severin Matusek

To understand the networked self, we must first understand the self, which is a ceaseless endeavor. The ultimate problem of the Internet might stem not from the discrete technology but from the Frankensteinian way in which humanity’s invention has exceeded our own capacities.

. I did marketing there, which basically amounted to drafting tweets that promoted a hypothetical product in unflinchingly positive terms. I remember on several occasions being reprimanded for not using enough emojis in my tweets.

The past hundred years a canon that defined modernity, post-modernity, and our world was established, celebrated, illuminated, and constantly revised by critics and appreciators who used the pen to make their case. They’re the ones who helped establish cultural significance. They’re the ones who remind us to marvel not at demographics, but at... See more

Contemporary art exists to render the invisible. And the dominant structures and boundaries that guide our agency, constructed by the most powerful economic forces in history, are incredibly important invisible structures to render. An art game helps us to think about how we express our agency.

I describe us not as a media company, but as a culture-forward media company, meaning that we view culture as the most important thing that’s feeding the planet.

What’s most insidious about this is that early-stage atrophy feels like productivity. The person thinks they’re getting so much done. Look at all this output. Look how fast I can turn things around. Meanwhile, they’re actually hollowing out the very capabilities that made them valuable in the first place. The output looks good. The velocity is... See more