Severin Matusek

she’s got her finger on the pulse of Zillennial malaise

To distribute content via email, message boards, blogs and social media users must act as nodes in the network, filtering feeds and pushing their own and others’ content into the network. They are the circulatory force that moves content around the network. Because of this, networks favor viral and memetic media. In this sense, network media... See more

Lately, I’ve been thinking about my use of AI as a kind of spatial relationship. Where do I stand in relation to the machine—above it, beside it, under it? Each position carries a different kind of power dynamic. To be above is to steer, beside is to collaborate, below is to serve.

By volume alone, slop may be the most visible and successful by-product of the generative-AI era to date. It is also a hallmark of what I’ve previously described as a collective delusion around artificial intelligence—where the breathless hype and imagined future of building a godlike superintelligence and curing cancer collides with the dull... See more

Being raised by TV is a walk in the park compared to being raised by apps.

Once, we made sense of the world with sweeping narratives that provided a comforting sense of mastery. Now, with those narratives shattered beyond repair by a reality too complex for us to fathom, a new kind of coping mechanism is emerging—one where we make peace with the limits of our agency rather than pretending to overcome them. The task is no... See more

Contemporary art exists to render the invisible. And the dominant structures and boundaries that guide our agency, constructed by the most powerful economic forces in history, are incredibly important invisible structures to render. An art game helps us to think about how we express our agency.