Severin Matusek

Rather than building tools that compete with them, the smarter strategy is to create incentives for their participation.

A literature which is made by machines, which are owned by corporations, which are run by sociopaths, can only be a “stereotype”—a simplification, a facsimile, an insult, a fake—of real literature. It should be smashed, and can.

. It’s easily argued that AI is both a byproduct and an accelerator of capitalism. If this is the case, then is a fear of AI simply a fear of capitalism? It’s certainly easier to imagine life without the widespread use of AI than it is to imagine life outside of capitalism, because a lot more of us have experienced it firsthand.

The cutesy image of the Shiba Inu, the ambiguous volatility of Pepe the Frog, and the militant bravado of Trump meme coins do not contest economic logics so much as offer a cathartic participation within them. They perform precisely what Rieff recognizes as the function of “releasing symbols”—forms of engagement that facilitate emotional discharge,... See more

this book is firmly positioned against the anthropomorphic spectacle of “creative AI.” It proposes instead the concept of the posthumanist agential assemblage, and invites readers to consider what new types of creative practice, what reconfigurations of the author function, and what critical interventions become possible when AI art provokes... See more

Labubu and Fartcoin are the economy people can actually participate in.

The problem isn’t that the mean has decreased. It’s that the variance has shrunk.

I believe artists have more helpful things to say than the money guys about how to use and creatively misuse technology.

NFTs offer the promise of scarcity and authenticity for digital goods. NFTs aren’t the only way to create scarcity and authenticity online — trusted, centralized entities such as banks (and platforms such as Twitter and Apple) do it within their verticals, and blockchain tech is evolving to address myriad environmental and security concerns. So the... See more