Severin Matusek

Vilém Flusser’s philosophy and aesthetics did not content itself with utiliz- ing the conventional strategies of representation and realism; what he d

Ludwig Wittgenstein’s philosophy of language, Martin Heidegger’s existential ontology, and Edmund Husserl’s radical phenomenology were combined by Flu

Hans Magnus Enzensberger, whom Flusser met in 1974 at a legendary conference on the future of television, Open Circuits, at the Museum of Modern Art i

“His manner of proceeding is intensive and not extensive,” commented the film critic and filmmaker Harun Farocki accurately in a review of Vilém Fluss