Severin Matusek

The canonical example of the 2010s was probably the trend-forecasting agency K-HOLE, which was formed by four art-school friends who, while grifting fashion-industry jobs in New York, became ‘interested in the total collapse that comes with being the thing itself’. As it turned out, they were exceptionally good at ‘the thing itself’ – publishing pu... See more

If you look at any one Substack newsletter in comparison to its peers, it does appear banal and repetitive. But they are not experienced as a landscape; they are experienced individually. Each one is its own tiny world.

Art, which had previously been a way to produce discursive polyphony, aligned itself with the dominant social-justice discourses of the day, with works dressed up as protest and contextualized according to decolonial or queer theory, driven by a singular focus on identity.

The belief that the Earth is flat is not in and of itself problematic for most people, since most people will never need to circumnavigate the globe. However, the effects on adherents’ social relationships are problematic. The belief both signals and generates frame shear, the lack of mutual intelligibility, with all except those who share it—meani... See more

Music curation: we are developing tools & workflows to identify the best ways for the community to give meaningful input into the curation processes for COLORS shows.

About post-individualismWe’re not going back to collectivism. It’s a new state called post-individualism.Post-individuals define their identity by both their own individual traits as well as which groups and ideologies they voluntarily subscribe to.

Changing attitudes toward social media created another breakthrough for the 1,000 True Fans model. In 2008, few people seemed interested in venturing beyond the social-media ecosystem, because this was where much of the excitement about the Internet was concentrated. As I learned from personal experience, to have expressed skepticism about these pl... See more