Severin Matusek

Screentime has become a colosseum where everything is in competition with everything else: email from work competes with text from a friend competes with Instagram and Tiktok.

The role of a successful place is to provide a catalytic context for missions.

Now there’s a fifth way: Be a part of entire large nomadic scenes with no particular geographic base, but with highly complex organizational capabilities and internal economic engines. The Ethereum ecosystem is a very good example of this phenomenon. It has the scale, operational complexity, and economic mass of a major multi-national corporation, ... See more

I’m mostly here in Edge Lanna on a mission myself: To help run a week-long event called Protocol Worlds, a part of the Summer of Protocols program I help run. The event is a simulation focused on the idea of holographic cities — digital city-like social realities (ideally crypto-flavored of course, and preferably Ethereum-flavored) projected onto p... See more

As fact grows stranger than fiction, we should embrace the surreal and try harder to imagine more outlandish fictions. We might begin by accepting that we are being lied to all the time, that most of what we hear and see is an illusion, misrepresentation, or performance—and that’s fine. Life has in many ways become a fiction, reality is vanishing u... See more

But it is far too late. Consensus reality is gone. We are blessed to live now, in the West, in a strange world without common sense.

Art, which had previously been a way to produce discursive polyphony, aligned itself with the dominant social-justice discourses of the day, with works dressed up as protest and contextualized according to decolonial or queer theory, driven by a singular focus on identity.