Sublime
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A character’s conviction in their rightness and superiority is precisely what gives them their terrible power. Great drama often forms itself around a clash of competing hero-maker narratives, one belonging to the protagonist, the other to their foe. Their respective moral perceptions of reality feel utterly genuine to their owners and yet are
... See moreWill Storr • The Science of Storytelling: Why Stories Make Us Human and How to Tell Them Better
Our beliefs feel personal to us because they are us.
Will Storr • The Science of Storytelling: Why Stories Make Us Human and How to Tell Them Better
An air altogether of occupying a time not his own – might he be more at ease in an Edwardian dining room, say, or on a pitching clipper’s deck? Very likely.
Sarah Perry • Enlightenment
Ibsen’s play An Enemy of the People
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
As Harold Bloom has shown, the real American religion is “to be free of other selves.”
Jonathan Crary • 24/7: Late Capitalism and the Ends of Sleep
As Thoreau wrote, ‘It’s not what you look at that matters, it’s what you see.’
Matt Haig • The Midnight Library: The No.1 Sunday Times bestseller and worldwide phenomenon
specter.
Paul Kalanithi • When Breath Becomes Air
Isolated in our personalised digital worlds and unaware of the algorithms messing with our heads, we are losing our capacity to do what Aristotle called the proper human function: think.