Sublime

“The weird thing with algorithms is that we’re all under that pressure, whether we want to be or not. Even if we don’t want anything to do with it, the algorithm is going to swoop in and pick your most ‘normal’ song and make you identified with that, instead of your most peculiarly ‘you’ track.”

Sarita Pillay…

Some highlights have been hidden or truncated due to export limits.

The final period of his short life finds Coltrane pushing against both of these prior periods while drawing deeply on both. The period from 1965 to 1967 finds Coltrane in search of a new language, a new vocabulary of rhythmic and sonic possibilities. He draws these increasingly from world cultures and his own southern background. This, of course, i

Paul Humphrey was a session drummer who worked with everyone from Jimmy Smith and Charles Mingus to Frank Zappa and Marvin Gaye. He was also the drummer for Lawrence Welk’s TV show in the late seventies, and his children would sometimes appear with him on the show. Sound familiar?

Unlike the New York Fillet of Soul restaurant, this one has a band and a singer, Sister Love, played by Brenda Arnau, who was such a success on the London stage in Oh! Calcutta! She sings the theme song Live and Let Die as Bond’s table disappears and Felix Leiter returns from a decoy telephone call to find two mint juleps and an empty chair at a su