Sublime

There are several things you must be known for: your irresistible attractiveness to women; your uncontrollable devotion to pleasure (this will make you seem weak, but also exciting to be around); your disdain for convention; a rebellious streak that makes you seem dangerous.

After you deliver the first few words of your opener, use a false time constraint. Then once you reach the hook point, try delivering another false time constraint. Why? Because the set has now decided that they want you to stay. A false time constraint at this moment will create a fear of loss. Thus begins the cycle of baiting the target to chase.

Then, once you have made them uncertain of you and of themselves, reignite their hope, making them feel desired again.

Kino is only effective after a dominance/affirmation-seeking connection is established. Use effective Neg Hits, Demonstrate Higher Value (DHV), and make your target see you as the prize. Without a pretext of higher value, Kino only worsens your approach, and you slip into the creepy zone. Strategic Kino is just one tool in a man’s toolbox, and usin

Some players may be seen walking around a venue, eyeballing all the women and looking for a good one to approach. This behavior looks predatory and is quite transparent to others in the crowd.

Remember: to sow a seductive idea you must engage people’s imaginations, their fantasies, their deepest yearnings. What sets the wheels spinning is suggesting things that people already want to hear—the possibility of pleasure, wealth, health, adventure.