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The Art of Seduction
Always remember: if you are to play the Rake, you must convey a sense of risk and darkness, suggesting to your victim that she is participating in something rare and thrilling—a chance to play out her own rakish desires.
Robert Greene • The Art of Seduction
The Rake is as promiscuous with words as he is with women. He chooses words for their ability to suggest, insinuate, hypnotize, elevate, infect. The words of the Rake are the equivalent of the bodily adornment of the Siren: a powerful sensual distraction, a narcotic.
Robert Greene • The Art of Seduction
Once again, it was the sound of the voice and the poetic connotations of the words that seduced the masses.
Robert Greene • The Art of Seduction
The key is to show no hesitation, to abandon all restraint, to let yourself go, to show that you cannot control yourself and are fundamentally weak.
Robert Greene • The Art of Seduction
The Ardent Rake teaches us a simple lesson: intense desire has a distracting power on a woman, just as the Siren’s physical presence does on a man.
Robert Greene • The Art of Seduction
In seduction there is often a dilemma: to seduce you need planning and calculation, but if your victim suspects that you have ulterior motives, she will grow defensive.
Robert Greene • The Art of Seduction
She operates on a man’s most basic emotions, and if she plays her role properly, she can transform a normally strong and responsible male into a childish slave. The Siren operates well on the rigid masculine type—the soldier or hero—just
Robert Greene • The Art of Seduction
Successful seductions begin with your character, your ability to radiate some quality that attracts people and stirs their emotions in a way that is beyond their control.
Robert Greene • The Art of Seduction
Every seduction has two elements that you must analyze and understand: first, yourself and what is seductive about you; and second, your target and the actions that will penetrate their defenses and create surrender.