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My working definition of art is thus derived in part from both a moderate institutional theory that recognizes the important role that the museum space plays in determining meaning and mediating a history, tradition, and theory of what occurs in that space, and an ecological theory of art that affirms that in its making and viewing, art does someth
... See moreDaniel A. Siedell • God in the Gallery (Cultural Exegesis): A Christian Embrace of Modern Art

For a wise articulation of this point, see Michael Horton, Ordinary: Sustainable Faith in a Radical, Restless World (Grand Rapids: Zondervan, 2014).
James K. A. Smith • You Are What You Love: The Spiritual Power of Habit
L. M. Sacasas • The Art of Living

All churches must understand, love, and identify with their local community and social setting, and yet at the same time be able and willing to critique and challenge it.
Timothy Keller, Daniel Strange, Gabriel Salguero, • Center Church
I adopt Hunter’s “faithfully present within” culture approach, augmented by Andy Crouch’s insight that Christians are called to be creators and cultivators of the good, true, and beautiful. Alternative accounts of cultural apologetics could be developed that explicitly endorse one or another of Niebuhr’s possible positions on Christ and culture.
Paul M. Gould • Cultural Apologetics
Belief in the Centrality of the Gospel-Driven Church
Owen Strachan • Jonathan Edwards on True Christianity (The Essential Edwards Collection Book 4)
“The world will not recover from the community of God’s people living lives to glorify Jesus.”