Sublime

His father, John Jenney, was a horn salesman who, according to family legend, was the basis for Harold Hill in The Music Man, the Broadway musical written by fellow Mason City native and family friend Meredith Willson. That’s why, in later years, Kay often referred to Jack as “the son of the Music Man.”

My preferred starting point for a chronological survey of jazz history is with King Oliver’s recordings of “Dipper Mouth Blues” and “Froggie Moore,”

arranger Gil Evans,