Sublime

Basho wrote his haiku in the simplest type of Japanese speech, naturally avoiding literary and “highbrow” language, so creating a style which made it possible for ordinary people to be poets. Bankei, his contemporary, did just the same thing for Zen,

In Japan, poems should not be tethered to the entanglement of a person’s ego. Humility, modesty, and a keen eye for small details in the natural environment are key attributes. As Basho said, “If you want to learn about the pine, then go to the pine, if you want to learn about the bamboo, then go to the bamboo. When you have become one with them,

Teishin,

The beauty of Basho’s prose, however, took the negative aspects of old age, loneliness, and death and imbued them with a serene sense of beauty.

Rinzai Roku (a celebrated Zen text of the T’ang dynasty) and the teachings of Bankei, the seventeenth-century Japanese master who, for me, represents Zen at its best.

Basho,