The Way of Zen

Abstraction is thus almost a necessity for communication, since it enables us to represent our experiences with simple and rapidly made “grasps” of the mind. When we say that we can think only of one thing at a time, this is like saying that the Pacific Ocean cannot be swallowed at a gulp. It has to be taken in a cup, and downed bit by bit. Abstrac

The reason why Taoism and Zen present, at first sight, such a puzzle to the Western mind is that we have taken a restricted view of human knowledge. For us, almost all knowledge is what a Taoist would call conventional knowledge, because we do not feel that we really know anything unless we can represent it to ourselves in words, or in some other s

If there is anything in this world which transcends the relativities of cultural conditioning, it is Zen–by whatever name it may be called.

Zen Buddhism is a way and a view of life which does not belong to any of the formal categories of modern Western thought. It is not religion or philosophy; it is not a psychology or a type of science. It is an example of what is known in India and China as a “way of liberation,” and is similar in this respect to Taoism, Vedanta, and Yoga.

The momentariness of sumi paintings and haiku, and the total presence of mind required in cha-no-yu and kendo, bring out the real reason why Zen has always called itself the way of instantaneous awakening. It is not just that satori comes quickly and unexpectedly, all of a sudden, for mere speed has nothing to do with it. The reason is that Zen is

But just as there is no need to try to be in accord with the Tao, to try to see, or to try to hear, so it must be remembered that the breath will always take care of itself. This is not a breathing “exercise” so much as a “watching and letting” of the breath, and it is always a serious mistake to undertake it in the spirit of a compulsive disciplin

Until this has become clear, it seems that our life is all past and future, and that the present is nothing more than the infinitesimal hairline which divides them. From this comes the sensation of “having no time,” of a world which hurries by so rapidly that it is gone before we can enjoy it. But through “awakening to the instant” one sees that th

Haiku and waka poems convey perhaps more easily than painting the subtle differences between the four moods of sabi, wabi, aware, and yugen.

so far as Zen is concerned, the end results have nothing to do with it. For, as we have seen all along, Zen has no goal; it is a traveling without point, with nowhere to go. To travel is to be alive, but to get somewhere is to be dead, for as our own proverb says, “To travel well is better than to arrive.”