almost everything mimics or remixes what already existed in culture (or what already exists on the internet). All those famous names of artists and writers you know were not constantly making original choices filled with divine inspiration denied to AI. Much like how Roger Federer won only 54% of points across all the professional matches he played... See more

Get customers to talk about their problems, not your product.

Those who really win (an industry, or in a career) did so by delaying gratification. One of the greatest competitive advantages in a startup team — or any bold new project or turnaround — is simply sticking together long enough to figure it out. This is hard because our natural human tendency is to crave short-term rewards and seek short-cuts to sa... See more

I define “creative risk” as the wild ideas in our mind’s eye that we would love to pursue, but don’t because the cost (time, money, reputation...) is too much to bear. As a result, we play it safe in the form of making sequels in Hollywood, emulating successful campaigns in advertising, and “staying in our lane” or what we’re comfortable with in ou... See more

Art is defined by intentionality, and we ought to view “AI art” as an interaction between humans and machines versus ascribing to a computer agency that does not exist.

Hello newsletter friends, happy to see you. Thanks for your patience as I hobble back to regularly scheduled programming after pretending to feel fine the last three months. It feels like best practice to fake it, but I’m bad at that, so I’d rather say: I’m pregnant and the first three months were very rough on me physically and I wasn’t up for any... See more

There are two kinds of writing; alive writing and dead writing. Alive writing invokes sensuousness, expansion, and insight. It transforms and enlarges its reader. It is a kind of disclosure; simultaneously immanent and transcendent. Dead writing is passive, sentimental and afraid of telling the truth. It discloses nothing except its own performance... See more

The subscription model means content providers are paid regularly no matter the quality and quantity of the product. Makes sense – being paid on a regular basis before you make content is awesome, but in this subscription economy, we have lost the ability to place value on each individual film. If the company spends time and energy on only certain ... See more