Sarah Drinkwater
@sarahdrinkwater
Knowledge beachcomber interested in the ownership economy, flourishing communities, ecosystem building, magic, and knowledge as an end to itself.
Sarah Drinkwater
For early-stage investing, I believe that the small flat partnership is the best structure if the goal is to produce high return on capital funds. Here are some reasons why this model is superior for early-stage investing:- At the early stage, investors must bet on teams and ideas that have not been proven. The biggest winners almost always come... See more
Fred Wilson • The Partnership - AVC
Are these limitations helping you be more creative?
— Exactly. It’s the most critical part. With any kind of creative work you start disabling as much as possible and narrow it down only to the necessary tools you need, and from there start making the work. That’s what I believe makes you super creative.
The founder of Teenage Engineering opens up to his creative space
The first and largest “user” of a Web3 platform — defined as a software service running on an open blockchain (and often called a “protocol” in Web3 parlance) — is usually the product team that built the underlying platform. Web3 teams building these platforms are wise to build the first product on top and give it away for “free,” as a commodity,... See more
Jesse Walden • Product vs. Protocol: Finding a Balance in Web3 – Variant
Bennington College, the wildest and wickedest school in America. In the last great decade: the 1980s. Bennington class of ’86 includes Bret Easton Ellis, future writer of American Psycho and co-leader of the literary Brat Pack; Jonathan Lethem, future writer of Motherless Brooklyn and MacArthur Fellow; and Donna Tartt, future writer of The Secret... See more
Once Upon a Time… at Bennington College on Apple Podcasts
The founder of Teenage Engineering opens up to his creative space
scandinavianmind.comscandinavianmind.com
Subtitle: Contemporary Visual Culture and the Acceleration of Identity Formation/Dissolution
Jonah Peretti • Negations: Capitalism and Schizophrenia
Alternative to What? | Thomas Frank
thebaffler.com
late stage capitalism and “Alternative”
the patina of daring had begun to wear thin on the eighties’ chosen crop of celebrity-rebels. Entire new lines of insolent shoes would have to be designed and marketed; entire new looks and emblems of protest would have to be found somewhere. Consumerism’s traditional claim to be the spokesman for our inchoate disgust with consumerism was hemorrhaging credibility, and independent rock, with its Jacobin ‘authenticity’ obsession, had just the things capital required.
Out went the call for an “alternative” from a thousand executive suites, and overnight everyone even remotely associated with independent rock in Seattle—and Minneapolis, Chapel Hill, Champaign, Lawrence, and finally Chicago—found themselves the recipients of unsolicited corporate attention