Sarah Drinkwater
@sarahdrinkwater
Knowledge beachcomber interested in the ownership economy, flourishing communities, ecosystem building, magic, and knowledge as an end to itself.
Sarah Drinkwater
Photographer and new media artist Olivia Alonso Gough, aka @bug_girl_69, discusses working with different tiers of creativity, establishing a routine, and not going to grad school unless it's free.
thecreativeindependent.com
Because we don’t ship our shit back to where the food comes from, we keep perpetuating the redistribution of nutrients on the planet. Soils grow barren, so we use synthetic fertiliser, which isn’t anywhere near as good as the real shit, and also is very polluting to produce. Scientists call this phenomenon the metabolic rift.
Lina Zeldovich • Our excrement is a natural, renewable and sustainable resource – if only we can overcome our visceral disgust of it
Productivity and
Millennials are less religiously affiliated than ever before. Churches are just one of many institutionalcasualties of the internet age in which young people are both more globally connected and more locallyisolated than ever before. Though many millennials are atheists or agnostics, the majority are less able to articulate their sense of... See more
Casper ter Kuile • How we gather
Together, the two houses of the collective will drive a powerful flywheel, funding public goods that make Optimism blockspace more valuable, leading to more revenue for public goods, and so on.
Introducing the Optimism Collective
late stage capitalism and shifting culture
In America, our culture has become anticipation.
At some point, there was a switch, in which we became an edging culture. One rooted in “pre-”.
With AI, I suspect we’ll be able to play with the compression of anticipation with software objects well. Teasing an idea on Twitter, seeing it’s response, putting that prompt in AI to generate just enough code for the resemblance of the thing → and that reaching consumer hands much faster.
Perhaps anticipation culture is the wedded partner of instant-gratification culture. It’s the only thing that allows us to microdose the gratification of the object before we actually have it. Constantly watching trailers, or runway shows, sneak peaks, etc
I find this all lines up incredibly well to VC culture. The discussion is 90% weighted on the raise
The anticipation is lost as its material reality fails to hold any long term attention. Even if it was the exact promise. We simply love the build up. The image of the thing.
The “pre-”, other than consuming behind the scenes content of an artist’s process, is all mental. As I participate as a dancer in the audience, I can only (if I care to) construct fiction of the worked anticipation of the overall performance. But 90%+ of the audience only cares about the anticipation of the next drop or track. The loop is built in.
To bring it all the way back to the tweet that launched this post. Anticipation is exhausting. It is built around uncertainty, and the quelling of said uncertainty by the fragments of the objects chosen to be presented.