Sarah Drinkwater
@sarahdrinkwater
Knowledge beachcomber interested in the ownership economy, flourishing communities, ecosystem building, magic, and knowledge as an end to itself.
Sarah Drinkwater
How We Just Raised $6M At An $80M Valuation From 100+ Investors Using A Link (Without Pitching)
medium.com
Media & Culture and
the stakes for preserving our relationship to things that cannot immediately be had have never felt higher. After all, yearning is a subset of authenticity––a specific type of authenticity that comes from wanting. It’s the thing that we turn to after too easily “having” causes us to lose our way. Yearning isn’t like wellness in the way Gwyneth Paltrow or Andrew Huberman would sell wellness because it often feels like unwellness, but then it also feels like healing.
For the last ~year I've been keeping a close eye on how language models capabilities meaningfully change the speed, ease, and accessibility of software development. The slightly bold theory I put forward in this talk is that we're on a verge of a golden age of local, home-cooked software and a new kind of developer – what I've called the barefoot developer.
The first and largest “user” of a Web3 platform — defined as a software service running on an open blockchain (and often called a “protocol” in Web3 parlance) — is usually the product team that built the underlying platform. Web3 teams building these platforms are wise to build the first product on top and give it away for “free,” as a commodity,... See more
Jesse Walden • Product vs. Protocol: Finding a Balance in Web3 – Variant
Maintenance work and late stage capitalism
Love and effort create magnificent places. Genius inhabits them. People go to them because they know such places and landscapes offer consolation of the soul, and the soul is not fooled by substitutes. We let those places turn our moods, we want them to, they do so easily. Today it is not always hard to find such places, but why is it difficult to make new ones?
the urge to commoditize alone improves a seen monetary cost at the expense of the unseen. We must not think it comes free of charge.
That which is unique, breaks. When finished objects become commodities they break too, but they are easily replaced. When you break a chair, you buy another chair. We know well how to make one thousand chairs. They sit in boxes, lining the warehouses, ready for two-day shipping.
To mend is to comprehend a human scale problem, and without this understanding our creations become strange creatures
When the unique is created, it also creates the creator.
When I was at Index we would include two sections in our memos that were popularized by Larry Summers. We would write about a company's "pre-parade" and "pre-mortem." Not only a "dream the dream" scenario, but a "dream the nightmare."
Kyle Harrison • The Death of a Venture Fund
