Natalie Audelo

Deadheading as a repeated practice of cutting that which stands in the way of growth, evolution, nourishment. Dancing that „capacity” dance, on a tightrope between usefulness and uselessness. Learning the same lesson again and again. (Because make no mistake I will be here again, sometime sooner or later.) Hoping that next season’s blossoms will be... See more

“The question is how we transition from what could, despite our best intentions and deepest feelings, merely be a performance, to making the work the central thread of our lives, rather than just a sideshow. The power structure of our world doesn’t care much what you’re posting online. It cares what you are spending your entire life force on, how y... See more

Millions of people — and white people in particular — would rather endure physical isolation, generalized loneliness, caregiving exhaustion, and financial precarity than relinquish some of their societal power. That’s a far less optimistic foundational myth than individualism. But it’s a far more honest one.

She’s modeling radical self-acceptance on the world’s largest stage, giving the audience a space to revisit their own joy or pain, once dismissed or forgotten.

There are a lot of organizational structures and lived practices embedded in our bodies that we just enact by default. But through explicit facilitation practices or when we make meetings happen in a certain way, that helps change these conditioned ways of operating. In the process of learning to work this way, what really helps is, again, trust. T... See more

Over the subsequent years, Feÿtopia evolved into a community of people who live at the castle in the ‘off season’, roughly November-April, for anywhere from a few days to the whole season. Community members are encouraged to co-create the experience of living at the castle: meals, parties, and improvements to the grounds can be planned by anyone.