Maarten

There is a clear case for artists and their teams to consider engaging with emerging technologies that could transform the ways music is created, distributed, monetized, and experienced.

Music, at its most foundational level, is not an economy in many places, because there is no infrastructure to support it.

Glitch Feminism, however, embraces the causality of “error”

We’re not lonely, we’re averse to other people

A must read to understand potential paths forward for existing copyright structures and music