lili
@lilipk
lili
The will to extend one’s self for the purpose of nurturing one’s own or another’s spiritual growth
The only way to break out of this paralysis is really to act. To move a step at a time towards what I’m drawn to until a clear reason emerges to stop . This single step, the minimum viable action, is powerful, because the minute you take it, you set off reactions that arm you with more information. The fog clears a little, and then some more. The... See more
Sindhu Shivaprasad • minimum viable action
The little things you do for others that remind you both of who you are, matter. They’re what define the thread count of the human experience
Molly Mielke • Feeling seen · Molly Mielke
“If you ask me what I came to do in this world, I, an artist, will answer you: I am here to live out loud.”
―
Émile Zola
―
Émile Zola
A quote by Émile Zola
“If I am not in the world simply to adapt to it, but rather transform it, and if it is not possible to change the world without a certain dream or vision for it, I must make use of every possibility there is not only to speak about my utopia, but also to engage in practices consistent with it.”
— Paulo Freire
About - Regarding Dew — REGARDING DEW
As I see it then, the formula runs something like this: a man must choose a path which will let his ABILITIES function at maximum efficiency toward the gratification of his DESIRES. In doing this, he is fulfilling a need (giving himself identity by functioning in a set pattern toward a set goal), he avoids frustrating his potential (choosing a path... See more
Farnam Street • Hunter S. Thompson’s Letter on Finding Your Purpose and Living a Meaningful Life
Walt Disneys Destino (Full)
youtu.beLove and Animated Shorts
A short story by Salvador Dalí and Walt Disney.
Conceived 58 years, in 1945, close to 60 years before it was released. It tells a story of a haunting romance between Dahlia, a mortal woman struggling to find love, and Chronos, an all-powerful titan and the personification of time itself. The story is set to a love ballad composed by Fantasia composer Armando Dominguez.
I like the contrast between Dalí and Disney’s reflections on the story:
As Dalí explained to the press at the time, the animation was “a magical exposition of the problem of life in the labyrinth of time”, while Disney attempted to tone down his art-speak, describing it as “just a simple story of a girl in search of her real love.”
“How to handle space, time and body at networking events” should be a subject in school