lili
@lilipk
lili
The other side is usually a dark place?
Murakami in The New YorkerRead fiction and essays by the author.
Not necessarily. I think it has more to do with curiosity. If there is a door and you can open it and enter that other place, you do it. It’s just curiosity. What’s inside? What’s over there? So that’s what I do every day. When I’m writing a... See more
Murakami in The New YorkerRead fiction and essays by the author.
Not necessarily. I think it has more to do with curiosity. If there is a door and you can open it and enter that other place, you do it. It’s just curiosity. What’s inside? What’s over there? So that’s what I do every day. When I’m writing a... See more
Deborah Treisman • The Underground Worlds of Haruki Murakami
Daydreams, fantasies, memories - how often do u find yourself in these states as opposed to experiencing your current reality?
Small conversations loom large
On the Spot: Az Istenek szigete | RTL+
rtlplusz.hu
Future nostalgia
### Joan Didion
- Best Known Work:
- Slouching Towards Bethlehem (1968) – A seminal collection of essays capturing the spirit of the 1960s, particularly in California.
- The Year of Magical Thinking (2005) – A powerful memoir about grief and the death of her husband, John Gregory Dunne.
- Underrated/Underdiscovered Work:
- Play It As It Lays (1970) – A
... See moreEveryone and anyone can dance, because dancing is not only about performing. Dance is not even about being together, you can dance alone. Dance is not about dancing to music, you can dance in silence. So of course everybody can dance — and not only can, should .