Kristin Walker
@kristinwalker
Kristin Walker
Earth makes amazing art.
Core sample layers and plates from geologic formation layers in caves from Franz Uibelaker
Lindsey Callasubstack.comwe have a world where friction gets automated out of experiences, aestheticized in curated lifestyles, and dumped onto underfunded infrastructure and overworked labor. The effort doesn't disappear; it just moves.
Kyla Scanlon • The Most Valuable Commodity in the World Is Friction
Current obsessionđź’śthe iridescent canvases of Copenhagen artist Thorbjorn Bechmann (b. 1966)
Rose Florencesubstack.commemorybanque.com/journal.html
memorybanque.combjörk said that trying to communicate through talking feels like trying to put the ocean through a straw
But to be human is not to have answers. It is to have questions—and to live with them. The machines can’t do that for us. Not now, not ever.
And so, at last, we can return—seriously, earnestly—to the reinvention of the humanities, and of humanistic education itself. We can return to what was always the heart of the matter—the lived experience of... See more
And so, at last, we can return—seriously, earnestly—to the reinvention of the humanities, and of humanistic education itself. We can return to what was always the heart of the matter—the lived experience of... See more
D. Graham Burnett • Will the Humanities Survive Artificial Intelligence? | the New Yorker
“How odd I can have all this inside me and to you it’s just words.”
― David Foster Wallace, The Pale King
In the Irish language, we are not our emotions. We are not sad or anxious. We have sadness or anxiety on us.
To say I am sad, we say tá brón orm - there is sadness on me.
I am anxious, tá imnà orm - there is anxiety on me.
The language recognizes these as passing... See more
Briana NĂ Loingsighsubstack.com