Daniel Wentsch
@klickreflex
Freelance designer and web dev from Freiburg, Germany.
Daniel Wentsch
@klickreflex
Freelance designer and web dev from Freiburg, Germany.
In study after study, the people who get the biggest boost from AI are those with the lowest initial ability—it turns poor performers into good performers. In writing tasks, bad writers become solid. In creativity tests, it boosts the least creative the most. And among law students, the worst legal writers turn into good ones. And in a study of
... See more“Infinite memory” runs against the very grain of what it means to be human. Cognitive science and evolutionary biology tell us that forgetting isn’t a design flaw, but a survival advantage. Our brains are not built to store everything. They’re built to let go: to blur the past, to misremember just enough to move forward.
Our brains don’t archive
... See moreA third lever involves establishing cognitive “offline” spaces. A room without screens—where brainstorming happens on paper for twenty minutes—helps produce thinking that is less scattered. AI intervenes only after, to format or enrich what the team has imagined. This alternation helps regulate cognitive load.
Reframe non-productive time. One of the reasons the exploration phase of the work is low value is that most of it doesn’t look like work. It’s lots of reading, and sitting and thinking, and doodling, and trying things that lead to dead ends. Non-productive time feels like a waste—but it doesn’t have to! One way to think about this kind of time is
... See moreMotivation vs Procrastination and
Non-productive is often framed wrongly so
Where nature embraced forgetting as a survival strategy, we now engineer machines that retain everything: your past prompts, preferences, corrections, and confessions.
What sounds like a convenience, digital companions that “know you,” can quietly become a constraint. Unlike human memory, which fades and adapts, infinite memory stores information
... See moreDesigners Empowered by AI
Andrew Wilkinson and Dan Shipper discuss how AI, particularly Opus 4.5, empowers designers:
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Whenever we refer to the “breath” as the meditation object, we actually mean the sensations produced by breathing, not some visualization or idea of the breath going in and out. When I direct you to observe the “breath” in the chest or abdomen, I mean the sensations of movement, pressure, and touch occurring there as you breathe in and out. When I
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