("JP")

“What I’m interested in is deep aesthetics: the universal or near-universal forms that elicit deep, subconscious positive or negative emotional responses. These deep aesthetics are changing, too, but not nearly fast enough to keep pace with rapid technological, political, and social upheaval around us.”

– Lane Rettig, on the importance of studying

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her main focus was Simone Weil. She riffed on Weil’s idea of the void, of making a space inside yourself for the divine to rush into. “Grace fills empty spaces, but it can only enter where there is a void to receive it, and it is grace itself which makes this void.”

What this exercise shows students is that just because you have looked at something doesn’t mean that you have seen it. Just because something is available instantly to vision does not mean that it is available instantly to consciousness. Or, in slightly more general terms: access is not synonymous with learning. What turns access into learning is... See more

The practice of software begins to resemble closely the practice of memoria and, specifically, the memory theatres of Camillo, which constitute memory as a public space; a kind of virtual architecture for an incomplete image of the world. Software begins to look like the closest medium to memory itself we have produced .