Die Hard asks naive but powerful questions: If you have to get from A to B —that is, from the 31st floor to the lobby, or from the 26th floor to the roof—why not blast, carve, shoot, lockpick, and climb your way there, hitchhiking rides atop elevator cars and meandering through the labyrinthine, previously unexposed back-corridors of the built... See more
But most of what we have around us is “junkspace” – bad buildings that are ugly, poorly designed, and unpleasant to be in, composed of cheap toxic materials that make people and the planet sick, and built by unskilled workers that are exploited, enslaved and endangered on the job. Starchitect Rem Koolhaas coined the term “junkspace” in 2001 in his... See more
“If you’d been scoring it in the conventional Hollywood way, the temptation would be to up the excitement factor, up the danger factor, all the time,” he added. “But Top Boy is really about children in a pretty bad situation. So I explored the internal world of the children, not just what’s happening to them in the external world.
In investing, higher volatility usually equates to higher possible returns. In today’s world of online expression, we settle for lower expected value, market-level outcomes so as to not ruffle any feathers and not take any outsized risk. We’re basically hoping to allow people to know us enough so that they include us in their passive index of... See more
We mark out territories in different ways and of varying durations in our everyday life, such as a simple act of placing a bag on an empty chair to reserve a seat for a friend. Jennifer Lem, Gee Hae and Jelena Bulajic’s took up a spot in the foodcourt to observe the behaviors of users. Their work became an emotional battle of... See more
For those willing to wade into messy, illegible reality and consider what exists outside their simplified maps, there is a reward awaiting you: the illegible margin.