Jessica Ryan
@jessicaryan
Piratical pioneer of experiences live on the Internet (circa 2013) // CEO Broadway Unlocked, your friendly theatre on the internet // Indefatigable advocate for arts
Jessica Ryan
watch.broadwayunlocked.com
More broadly, many OnlyFans creators now treat sites such as Reddit, Imgur, Instagram, TikTok, and Twitter as “front doors” for OnlyFans customer acquisition.
Also: [As an aside: OnlyFans 80% revenue share rate is practical only because it does not offer App Store-based billing (which would take 15-30% of revenue off the top). In fact, neither iOS App Store nor Google’s Play Store even allow for pornographic apps. Usually, such a ban would destroy a media platforms’ business model, but browser-based experiences are fine for viewing photos and videos and sending messages (in contrast, most games can’t even run). And while apps tend to offer better user experiences and far simpler payment processes, most OnlyFans customers aren’t dissuaded by the need to use a browser, nor the extra hoops involved in manually entering a credit card number (again, this is less true for casual games or ecommerce).]
To minimize churn, many benefits (e.g. back catalogues) are only available to long-running subscribers.
Joshua Reader on LinkedIn: The Big Battle for Creators 🥊
linkedin.com
Live Digital and The Creator Economy
Short-form is critical for building audience, but long-form is critical for building engagement. In the context of today’s revenue share formulas and sponsorship models, high-quality fan engagement will be the key to long-term success as the industry continues to evolve.
The job for any studio is to create a great story and exploit it across as many channels as possible—theme parks, merchandise, games, movies, TV, TikTok, etc.
And so what you've ended up with, not surprisingly, is a few key players that happen to own the majority of the IP that is kind of a must have in this industry to have a product offering and a handful of distributors that have gotten scale on distribution of great user experiences like a Spotify, Amazon, a YouTube, whoever you might want to think a... See more
Colossus • Universal Music Group: The Gatekeepers of Music
As the spark of an idea started to build, she sought help from a collaborator, Emily Bear, a 19-year-old composer and musician who had been introduced to the world as a 6-year-old piano prodigy but was hoping to prove herself as more than just a former spectacle for daytime talk shows.
Julia Jacobs • TikTok to the Grammys: How a ‘Bridgerton’ Musical Beat Broadway (Published 2022)
On the surface, this article is about neural networks and the beginnings of AI, but I actually think it's invaluable insight into capitalism, scarcity, the psychology of valuations and maybe a little rich people foolishness.
Wired • The Secret Auction that Set Off the Race for AI Supremacy
Last year, Barlow had watched the first season of Netflix’s saucy period drama about the elite marriage market of Regency England, along with millions of others searching for escapist entertainment during the pandemic. A 22-year-old aspiring pop singer with a sizable TikTok following, she posted a song that she wrote with a simple but, she thought,... See more
Julia Jacobs • TikTok to the Grammys: How a ‘Bridgerton’ Musical Beat Broadway (Published 2022)
TikTok to the Grammys: How a ‘Bridgerton’ Musical Beat Broadway (Published 2022)
New York Timesnytimes.com
Livestreaming and
What does it mean to apply our power to promote our values? It means that we can have an impact on our shared political and cultural life. It means that we can support and care for each other. It means we can stand up, individually and together, and say “no” against the injustices in the world. It means that we have the ability to initiate the chan... See more