Jessica Ryan
@jessicaryan
Piratical pioneer of experiences live on the Internet (circa 2013) // CEO Broadway Unlocked, your friendly theatre on the internet // Indefatigable advocate for arts
Jessica Ryan
watch.broadwayunlocked.com
And you did “Bridgerton” without a record label?BARLOW In the beginning when it first started to blow up we had a few conversations with labels, but none of it felt right. We knew that we wanted to capitalize on the moment, and we knew that the faster we released it the better.BEAR We would have gotten an orchestra and a cast, and that would have... See more
Julia Jacobs • TikTok to the Grammys: How a ‘Bridgerton’ Musical Beat Broadway (Published 2022)
The original videos remain on TikTok, and the independently produced album is on Spotify, Apple Music and other streaming services, but the musical has yet to actually be staged. (This is far from the norm for the musical theater album category, which has typically gone to big-name Broadway musicals such as “Hamilton,” “Jersey Boys” and “The Lion... See more
Julia Jacobs • TikTok to the Grammys: How a ‘Bridgerton’ Musical Beat Broadway (Published 2022)
2026 Media and Entertainment Industry Outlook: Evolving definitions of quality, cross-platform audience intelligence, and AI efficiency are changing competitive dynamics in the media landscape
deloitte.comFor many viewers, value sits at the intersection of intellectual property (IP), fandom, and audience activation… self-identified fans are more likely to follow their fandoms across different media, and to spend money on related merchandise, services, and events.14 As such, fans are often “net promoters” who organically extend the marketing reach of brands and franchises they care deeply about. In an ever-fragmenting and costly media landscape, fandoms can reduce uncertainty and risk of investments.
We the Fans: How Our Powers Can Change the World - Pop Culture Collaborative
Deanna Zandtpopcollab.org
Future of Fandom and
Some artists might bristle at your strategy of inviting in fan feedback as you create the work, leaving it open to significant influence from the audience in the middle of the creative process.
Julia Jacobs • TikTok to the Grammys: How a ‘Bridgerton’ Musical Beat Broadway (Published 2022)
Everyone blames Spotify for low payouts. Nobody blames the income streams most artists don't even know exist. Here's where the real money hides. What if the gap between struggling and...
linkedin.com
Copy. Composition. Master. Royalties. PRO. Sync.
Supply: The people that create for all purposes in today’s modern economy, and the creative media assets, which they then distribute to their audiences.Incentives: Market mechanisms that financially and socially incentivize the creation, distribution, and consumption of creativity.Demand: The people that consume creativity and the channels by which... See more
Fast Company • fastcompany.com
Conversations with numerous Broadway producers have revealed consistent complaints: outside a few “mega-producers” with sufficient market power to negotiate independently, the League is functionally dominated by theatre owners.
The math supports this. Examining the League’s Board of Governors reveals multiple executives from Shubert (Chairman/CEO,... See more
The math supports this. Examining the League’s Board of Governors reveals multiple executives from Shubert (Chairman/CEO,... See more