Jessica Ryan
@jessicaryan
Piratical pioneer of experiences live on the Internet (circa 2013) // CEO Broadway Unlocked, your friendly theatre on the internet // Indefatigable advocate for arts
Jessica Ryan
watch.broadwayunlocked.com
The pair started building what would ultimately amount to a 15-song album that includes an amorous duet between the show’s leading couple, a comedic solo for the show’s nonconformist tomboy and an opening number that they wrote with a lavishly dressed Broadway ensemble flitting around the stage in their heads.
Julia Jacobs • TikTok to the Grammys: How a ‘Bridgerton’ Musical Beat Broadway (Published 2022)
It’s not just that creators use the internet
It’s that they were raised by it.
They’re more attuned to thinking like product designers than studio executives
They test ideas, respond to feedback, and ship what connects.
They understand... See more
It’s that they were raised by it.
Their feedback loop is instant
They understand internet culture
They publish, adapt, and evolve in real time.
They’re more attuned to thinking like product designers than studio executives
They test ideas, respond to feedback, and ship what connects.
They understand... See more
The Entire Hollywood System Explained in Tech Terms
It’s not just that creators use the internet
It’s that they were raised by it.
Their feedback loop is instant
They understand internet culture
They publish, adapt, and evolve in real time.
They’re more attuned to thinking like product designers than studio executives
They test ideas, respond to feedback, and ship what connects.
They understand momentum.
They’ve already absorbed the logic of bottom-up SaaS, intuitively.
This is why the next great storytellers won’t come from film school.
They’ll come from YouTube, Discord, & Substack
All thats missing is proper infrastructure.
“It’s hard to comprehend fully — like, we did this from our bedrooms,” Barlow said in an interview on Monday.
Julia Jacobs • TikTok to the Grammys: How a ‘Bridgerton’ Musical Beat Broadway (Published 2022)
The Pandemic Has STILL Shifted the Types of Cultural Entities People Prefer to Visit
Colleen Dilenschneidercolleendilen.com
Live Digital and
Excerpt from The Community Producer Playbook: What you have to be willing to practice
Emily Bestemilykbest.substack.com
There is a lot of talk about this community filmmaking movement. Ivan Askwith and I believe it will require the creation and adoption of a new above-the-line role: the Community Producer. This new role would designate an experienced practitioner who is responsible for cultivating, strengthening, and managing communities from project inception through distribution and beyond, with an understanding of the distinct patterns of how communities organize across fan culture, movement building, activism and impact.
The cast is a group of women and nonbinary people originating at ART, a very specific institution that has a recent, problematic history with how they approach representation for nonbinary people. What did ART learn or not learn from past experiences?
Vulture • 1776’s Sara Porkalob Has Some Notes
If you can set up a system where anyone can publish anything, and dynamically allocate more resources to the ideas that seem most promising, you're much more likely to produce a lot of surprisingly awesome output. This is important for reasons deeper than just "people are bad at predicting success"—I think there's something about surprise that... See more
Every • Recursive Publishing
The New Film & TV Playbook: Why "Everywhere the Audience Is" Wins | Jesse Ikeman | 10 comments
linkedin.com
The traditional model is: make a thing, sell a few big licenses, call it a day. Now it's: make a thing, sell what you can up front, then go wide—AVOD, FAST, TVOD, SVOD, and social video; so the audience can actually find it.
The economic center of gravity has shifted from courting corporate buyers to serving consumer demand at scale.