Jessica Ryan
@jessicaryan
Piratical pioneer of experiences live on the Internet (circa 2013) // CEO Broadway Unlocked, your friendly theatre on the internet // Indefatigable advocate for arts
Jessica Ryan
watch.broadwayunlocked.com
Where were you each at before this came into your lives?BARLOW We were both really depressed. It is hard to break into the music industry, and I was ready to give up. I was applying for record-label receptionist jobs and crying to my parents because they had been helping to support me in Los Angeles and they were like, “You need to get a real job.... See more
Julia Jacobs • TikTok to the Grammys: How a ‘Bridgerton’ Musical Beat Broadway (Published 2022)
Why Kanopy May Be Uniquely Positioned to Survive the Great Streaming Consolidation
Brian Welkindiewire.com
The service is currently available to about 10,000 libraries, or 40 percent of North America’s libraries, as well as about half of high-end colleges in the country. Kanopy houses roughly 35,000 titles with 150 more coming each week. Some standouts on the service include newer films like “Moonlight” and “Lady Bird,” as well as older classics like “Rashomon” and “Chinatown.”
Digital technologies can be powerful instruments of growth in artsand culture, capable of catalysing innovation and widening creators’and consumers’ access to publicly funded cultural activities. Prepandemic reports, sectoral overviews and digital strategies fromcultural organisations often demonstrated significant optimismin this respect
Adrian Leguina • Digital Access to Arts and Culture
"Our goal is to build the best turnkey media operation in venture: a single place where founders acquire the legitimacy, taste, brand-building, expertise, and momentum they need to win the narrative battle online."
Unified Video Strategy and Ad Revenue analytics
As it turns out, the constrained opportunity of the Creator Economy hasn’t lived up to its sky-high expectations. As many creators quickly learned, finding 1,000 true fans is something very few people are actually able to do. Most creators can’t break through platforms’ algorithms. Most creators are not marketing experts. Most creators are not... See more
Fast Company • fastcompany.com
This show needed younger members and I don’t believe it fully reached that audience. This is in part because of social media failures. Social media influencers that focus on theater aren’t really selling tickets generally (I’ve done research on this—more on that in a future column) and they aren’t even coming up on the feeds of non-theater fans.... See more