Jessica Ryan
@jessicaryan
Piratical pioneer of experiences live on the Internet (circa 2013) // CEO Broadway Unlocked, your friendly theatre on the internet // Indefatigable advocate for arts
Jessica Ryan
watch.broadwayunlocked.com
ATG Entertainment, which has a long-term lease on the Lyric, has collected more than $34 million in rent on Broadway from Cursed Child. In the year ending in February 2025, rent consumed nearly 11% of box office sales. To be sure, ATG has its own real estate expenses. In 2013, it paid $64 million for the lease to the Lyric, and later spent millions more on Cursed Child renovations.
On one hand, this trend is potentially devastating for the performing arts industry. On the other hand, this challenge may represent a revolutionary opportunity for these organizations to fundamentally adapt engagement methods and means to change up these experiences as we currently know them – or at least to change up business models so that they
... See moreColleen Dilenschneider • The Pandemic Has STILL Shifted the Types of Cultural Entities People Prefer to Visit
BEAR If you think about it, it was like we were workshopping instantly. We were getting live feedback in real time for people that would be coming to the show or buying the album.
Julia Jacobs • TikTok to the Grammys: How a ‘Bridgerton’ Musical Beat Broadway (Published 2022)
... But now that we’re in this position and know that we have this power, what do we do with it? We already know what we can do for the stories and characters we love: #BlackHeroesMatter, the aforementioned #RallyForRose, Sense8 fans fought for a conclusion to one of the most queer and diverse SciFi TV shows ever, and were rewarded with a two-hour... See more
Shawn Taylor • We the Fans: How Our Powers Can Change the World - Pop Culture Collaborative
"Our goal is to build the best turnkey media operation in venture: a single place where founders acquire the legitimacy, taste, brand-building, expertise, and momentum they need to win the narrative battle online."
Excerpt from The Community Producer Playbook: What you have to be willing to practice
Emily Bestemilykbest.substack.com
There is a lot of talk about this community filmmaking movement. Ivan Askwith and I believe it will require the creation and adoption of a new above-the-line role: the Community Producer. This new role would designate an experienced practitioner who is responsible for cultivating, strengthening, and managing communities from project inception through distribution and beyond, with an understanding of the distinct patterns of how communities organize across fan culture, movement building, activism and impact.
That’s one form of approval, but how does it feel getting this form of institutional approval from the Grammys? BEAR The powerful executives follow what the people want. Of course it feels good when someone who brushed you off for the same exact music you were writing two years ago now wants to buy it. But it’s more than that. We want to make way... See more