IP Strategy
Thoughts and Insight into businesses built on IP ownership
Jessica Ryan and
IP Strategy
The job for any studio is to create a great story and exploit it across as many channels as possible—theme parks, merchandise, games, movies, TV, TikTok, etc.
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Evan Shapīro on LinkedIn: #sundayfunday | 32 comments
linkedin.com
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Gavin puts the current state of FAST in perspective: Crowded. Fragmented. Very good for aggregators. Less good for channel publishers.
And so what you've ended up with, not surprisingly, is a few key players that happen to own the majority of the IP that is kind of a must have in this industry to have a product offering and a handful of distributors that have gotten scale on distribution of great user experiences like a Spotify, Amazon, a YouTube, whoever you might want to think a... See more
Colossus • Universal Music Group: The Gatekeepers of Music
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IP as Platform
dougshapiro.medium.com
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We the Fans: How Our Powers Can Change the World - Pop Culture Collaborative
Pop Culture Collabpopcollab.org
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Keely Adler added 2y
Darren LI added 2y
TikTok to the Grammys: How a ‘Bridgerton’ Musical Beat Broadway (Published 2022)
New York Timesnytimes.com
Jessica Ryan added 2y
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