Aspiring corporate anthropologist, investment ecologist, & data psycho-analyst; Workaholic in remission
Shelby Lorman writes a cathartic essay on overwhelming tragedy and the lack of tools to process grief as a society—especially as tragedies compound. Lorman discusses the intersection between the internet and the history of US mass shootings up to the end of May 2022, offering a comparison with Nick Drnaso's graphic novel "Sabrina". To answer the... See more
"A lot of people no longer do work that has any meaning to them, since humans are productive creatures... we are meant to create. When we do work that is not creative, that doesn't reflect who we are, that imposes depression, anxiety, a sense of meaninglessness. When we have a sense of meaninglessness, we will want to substitute the meaninglessness... See more
It is time to grieve and mourn the dead and believe in the power of renewal. If we do not embrace our grief, our sadness will come out sideways in unexpected forms of depression and violence.
Comparison to public markets Quant in venture and throughout private asset markets looks different as agreements can be bespoke, fluid, and negotiated. There is often more significant uncertainty and risk. There is also less liquidity and readily available data than in public markets, but much of this changing and will continue to evolve.
It was a cycle of numbers, push, numbers, not good enough, “coaching”, push, change, commission, percentages, tick back to zero, rinse, repeat. There was no space for the human. No space for deep thinkers, for empathy, for art, for creativity, i.e. the things that I considered important.
The Response Gratitude and reciprocity are the currency of a gift economy, and they have the remarkable property of multiplying with every exchange, their energy concentrating as they pass from hand to hand, a truly renewable resource.
When we recognise our ongoing participation in the sort of interaction that drama models, we are drawn to look at the process from an ethical perspective. A key issue here may be, ‘How do I sustain myself within the intricately balanced network of relationships (that makes up the drama, in life)?’